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[ecrea] Call for Papers: Cine-Excess VI: Transglobal Excess: The Art and Atrocity of Cult Adaptation - 24th-26th May 2012
Wed Feb 01 22:46:03 GMT 2012
Call for Papers
The 6th International Conference and Festival on Global Cult Film
Traditions Presents
Cine-Excess VI:
TRANSGLOBAL EXCESS: THE ART AND ATROCITY OF CULT ADAPTATION
24th-26th May 2012,
Odeon Covent Garden & The Italian Cultural Institute, London
Over the last 5 years, the Cine-Excess International Film Conference and
Festival has brought together leading scholars and critics with global
cult filmmakers. Cine-Excess comprises of a 3 day conference alongside
plenary talks, filmmaker interviews and 5-7 UK theatrical premieres of
up and coming cult releases. The event also features its own dedicated
DVD label, with recent releases including the official UK Blu-ray
release of Dario Argento’s Suspiria (1977). More recently, Cine-Excess
staff assisted with the new director’s cut of Ruggero Deodato’s Cannibal
Holocaust (1979), in conjunction with UK distributor Shameless Films.
Previous guests of honour to the annual Cine-Excess event have included
John Landis (An American Werewolf in London, The Blues Brothers, Trading
Places), Roger Corman (The Masque of the Red Death, The Little Shop of
Horrors, The Intruder, The Wild Angels, Bloody Mama), Stuart Gordon
(Re-Animator, King of the Ants, Stuck), Brian Yuzna (Society, Beyond
Re-Animator, The Dentist), Dario Argento (Deep Red, Suspiria, Inferno)
Joe Dante (The Howling, Gremlins, The Hole), Franco Nero (Django, Keoma,
Die Hard II), Vanessa Redgrave (Blow Up, The Devils, Julia) and Ruggero
Deodato (Last Cannibal World, Cannibal Holocaust, House on the Edge of
the Park). Previous keynotes to Cine-Excess have included Sir
Christopher Frayling (Head of the Arts Council), Professor Mark
Jancovich (University of East Anglia), Professor Martin Barker
(University of Wales, Aberystwyth), Matt Hills (University of Cardiff),
Professor Jeffrey Sconce (Northwestern University), Professor Chris
Jenks (Brunel University) and Professor Richard Dyer (Kings College,
London.)
Papers from Cine-Excess III are currently being developed into the book
Screening the Undead to be published by I.B. Tauris. A peer-reviewed
Cine-Excess E-Journal is also being launched in Autumn 2012, and will
publish a selection of papers from the event on a twice yearly basis.
Cine-Excess IV focuses on global adaptations of cult narratives, genres,
themes and icons across a broad range of media and fiction formats. From
pulp novels into pulp horror films and recent big budget blockbuster
remakes of marginal midnight movies, to nationally defined
interpretations of the pre-established extreme, the cult image remains a
fascinating index of adaptation, whose wide array of remakes, renditions
and realisations frequently reveals fascinating issues of nation and
narrative, as well cultural, regional and historical distinction.
In order to investigate this concept further, Cine-Excess VI will
consider global case-studies of cult adaptation, with a particular
focussing on differing national and narrative conceptions of the
outlandish and the extreme. The event will consider the concept of
adaptation in its broad theoretical remit, focusing on a range of cult
re-mediations across a wide range of written and visual media, including
film, television, literature, games, comics, and digital media.
Proposals are welcomed on, but not limited to, the following topics and
areas:
· Pulped Priming: Cult Renditions from Literature to Film and Beyond
· The Art and Atrocity of Adaptation: Studies of Cult Narrative
and Style
· Violence, Vengeance and the Seductive: Cult Cycles From
Culture to Culture
· The Years Without Lead: Historical Trauma, Sexuality and the
Euro-Extreme
· Eugenics and Exploitation: Adapting National Fears Through the
Cult Image
· Harlots, Howlers and Hobos: Case-Studies in Canadian Excess
· Trans-European Excess: Cult Controversies from the European
Margins
· Gimmie Slaughter: Celluloid Adaptations of the Mansion Cult
· Skin Flicks and Perverse Surgery: From Eyes Without a Face to
The Human Centipede and Beyond
* Outback Outrages: Recent Renditions of the Australian Extreme
* From Nazi to ‘Nastisploitation’: Cult Adaptations of Filmic
Fascism
* Institutional Excess: Exploitation Outfits from Troma Films to
The Asylum
* DIY Cults: Fan Films and Subcultures of Adaptation
* Adaptation as Arousal: Erotic Renditions of Film and Literature
* Female Avengers: Controversial Cult Femmes Across Cultural
Borders
* The Devil Within Her: The Cult Possession Movie Across
National Boundaries
* Adapting Excess: Case Studies of the Cult Performer
* The Trans-Global Extreme: Adapting the Iconography of Weird
World Cinema
* Islamic Exploitation Cinema: Race, Religion and Cult Iconography
* Grindhouse Grooves: From Visuals to Vinyl
* Last Screenplay on the Left: Blockbuster Renditions of the
Extreme
* Look Back in Ankara: Turkish Trash Cinema Traditions
* Sun, Sex and Sadism: Case Studies in ‘Greeksploitation’
* Cult Across Categories: Multimedia Re-mediations of the Marginal
* Chrome, Metal and Cult: Cult Biker, Cop and Gangs from Cinema
to TV
We welcome individual paper submissions, panels and roundtable
proposals. Please send a 300-word abstract and a short (one page) C.V.
by Wednesday 21st March 2012 to:
Xavier Mendik Filippo
Del Lucchese
Director of Cine-Excess Co-Director of
Cine-Excess
The School of Arts The School
of Social Science
Brunel University Brunel
University
Uxbridge Uxbridge
Middlesex Middlesex
UB8 3PH UB8 3PH
United Kingdom United Kingdom
(xavier.mendik /at/ brunel.ac.uk)
(filippo.dellucchese /at/ brunel.ac.uk)
For further information and regular updates on the event (including
information on guests and screenings) please visit www.cine-excess.co.uk
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