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[Commlist] Frames Cinema Journal, Issue 19 ‘Sensing the Archive – Exploring the digital (im)materiality of the moving image archive’, published

Tue Mar 08 13:15:12 GMT 2022





*/Frames Cinema Journal/*

*Sensing the Archive – <http://framescinemajournal.com/>*

*Exploring the digital (im)materiality of the moving image archive <http://framescinemajournal.com>*

*Issue 19, Spring 2022*

**

*Guest-Editor: Catherine Russell*

*Co-Editors-in-Chief: *Lucia Szemetová and Jacob Browne

*Book Review Editor:* Anushrut Ramakrishnan Agrwaal

Dear colleagues,

It is with great enthusiasm which we announce that Issue 19 of /Frames Cinema Journal /“*Sensing the Archive – Exploring the digital (im)materiality of the moving image archive”*, guest-edited by Catherine Russell, has now been published!

Over the last couple of years, we have all found our movements restricted by the ongoing pandemic. For many researchers, this confinement has been both physical and intellectual, with the archival visits that were previously our very staple being cancelled, postponed, or simply unwieldy. However, the current challenges with regard to archival research also foreground the growing digitisation of historical moving image media and its role in facilitating and structuring the future of research.


This issue turns to the tangibility of the medium and the fluidity of the material as a result of mass digitisation. Digital materiality – or immateriality – produces new instabilities and has transformed the ways in which we can access, understand, and interact with audio-visual heritage. It examines the sensory properties of archives and asks what kinds of historical knowledge lie within these resources and how can they be revived? As such this issue dissects the material vulnerabilities of audio-visual archives and their relation to cultural histories and archival studies to contribute critically to the flourishing academic discourse on digital humanities.


The contributions to this issue all address the archival instabilities reflected in their manifold understanding_s_ of the archive. They challenge the archive as a mere storage, collection, or a neutral space, and revise traditional film historical narratives. Each piece considers and revises the aspect of materiality and suggests new sensory modes of historiography. As such, they disrupt the exclusivity of physical access and written documents as the prerequisites for conducting film research and reckon with the various implications of digital transformation and the future of audio-visual heritage.


We would like to thank our guest editor, Catherine Russell, Distinguished Professor at the Mel Hoppenheim School of Cinema, Concordia University, for her generous and deeply insightful contributions to this issue.  Her own work on the historical, cultural, and sensorial properties of archives has been seminal in shaping the field, and even as the contributions raise new possibilities and champion varied approaches to the archive, the influence of her ground-breaking work is reflected in all the essays of this issue.

*ISSUE 19: *

*TABLE OF CONTENTS*

*EDITORIAL*

Letter from the Editors

*INTRODUCTION TO THE ISSUE*

Sensing the Archive

By Catherine Russell

*FEATURE ARTICLES*

*Resisting extractive uses of the archive in Colombian experimental non-fiction*

By María A. Vélez-Serna

*Remediating the Archive: Sabrina Gschwandtner’s Film Quilts as Forms of Material Knowledge*

By Lola Rémy

*Historical Trauma, Queer Sex, and Physical Touch in Barbara Hammer’s/Nitrate Kisses/*

By Rachel Lallouz

*Haunted Archives: Presence and Absence in the Audio-visual Record of Conflict in Bosnia-Herzegovina*

By Lennaart van Oldenborgh

*Diasporic Archives and Hauntological Accretions*

By May Chew

*Whatever Happened to Home Movies? Self-representation from Family Archives to Online Algorithms*

By Lauren S. Berliner

*Images Big and Soft: The Digital Archive Rendered Cinematic*

By Holly Willis

*POV*

*Translating Interfaces in the/Ms./Magazine Archive*

By Fabiola Hanna and Irene Lusztig

*Recycling Destroyed Cities: Ruined Archives in Copy Ar*

By Maryam Muliaee

*FILM FEATURETTES*

*Anarchiving the New York Avant-Garde: The Phantom of Barbara Rubin’s/Christmas on Earth/*

By Giulia Rho

*Awakening the film censors’ archive in/[CENSORED]/(2018)*

By Claire Henry

*Double Vision: Encountering Early Ethnographic Films in the Digital Archive*

By Petra Löffler

*VIDEO ESSAYS*

*Borrowed Dreams: Joseph Cornell and the Archive as Psychic Imprint*

By Stephen Broomer

**

*Uploading the Archive, Copy/Pasting the “Classical”*

By Eleni Palis

**

*RETROSPECTIVE BOOK REVIEWS*

*Filmographies as Archives: On Richard Dyer’s List-Making in /Gays and Film/*

By Glyn Davis

**

*A Preface with Promise: revisiting /Film Curatorship: Archives, Museums, and the Digital Marketplace/*

By Anushrut Ramakrishnan Agrwaal

**

*BOOK REVIEWS*

*Justin Remes:/Absence in Cinema: The Art of Showing Nothing/*

Reviewed by Jacob Browne

*Jaimie Baron:/ Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era/*

Reviewed by Lucia Szemetová

*//*

*Eric Smoodin: /Paris in the Dark: Going to the Movies in the City of Light, 1930-1950/*

Reviewed by Wesley Kirkpatrick

Happy reading!

Lucia Szemetová, Jacob Browne, and Anushrut Ramakrishnan Agrwaal

*Special Thanks to:*Patrick Adamson, Sarah Artt, Emre Caglayan, Milo Farragher-Hanks, Ruth Farrar, James Fenwick, George Larke-Walsh, Carla Mereu Keating, Wesley Kirkpatrick, Shana MacDonald, Barbara Majsa, Edwin Culp Morando, Cameron Mumford, Matilde Nardelli, Maria O'Brian, Clement Obropta, Philippa Orme, Isaac Pletcher, Steve Presence, Hollie Price, Maria Fernanda Miño Puga, Molly Ryan, Ana Maria Sapountzi, Zoë Shacklock, Kim Walden, Jonathan Wroot. *Without your hard work this issue would not have been possible!*

*
*

*Follow us at @FramesJournal on Twitter!*

*
*


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