[ecrea] Scope: An Online Journal of Film and Television Studies Issue 21 now published

Scope: An Online Journal of Film and Television Studies issue 21 has 
been published: http://www.scope.nottingham.ac.uk/issue.php?issue=21

We hope readers will enjoy this open-access resource for film and 
television scholarship. The issue’s table of contents is reproduced below.

Best,

Mark Gallagher

Co-Editor, Scope: An Online Journal of Film and Television Studies 
http://www.scope.nottingham.ac.uk/
Lecturer, Department of Culture, Film and Media
School of Cultures, Languages and Area Studies
University of Nottingham
University Park
Nottingham NG7 2RD
United Kingdom

ofc +44 (0)115 846 7292
fax +44 (0)115 951 5812
e-mail (mark.gallagher /at/ nottingham.ac.uk)

Scope Title Image

Articles

Becoming a Better Man as a Woman: The Transgendered Fantasy in 
1980s-1990s Popular Films
Elizabeth Abele

TV Similes: Language, Community and Comparative Poetics in Northern Exposure
David Scott Diffrient

Let's Get Found: Music Sampling, Found Footage and My Life in the Bush 
of Ghosts
David Laderman

Interracial Romance Revisited: Chinese Box and Tomorrow Never Dies
Jing Yang

[ALL ARTICLES ON ONE PAGE]



Book Reviews

History by Hollywood by Robert Brent Toplin
Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era
Reviewer: Brian Faucette

What Cinema Is! by Dudley Andrew
The Personal Camera: Subjective Cinema and the Essay Film
Reviewer: Daniele Rugo

All about Almodóvar: A Passion for Cinema by Brad Epps and Despina 
Kakoudaki (eds)
Stephen King on the Big Screen
Reviewer: Edmund P. Cuev

Crisis and Capitalism in Contemporary Argentine Cinema by Joanna Page
Writing National Cinema: Film Journals and Film Culture in Peru
Reviewer: Rowena Santos Aquino

Film Theory and Contemporary Hollywood Movies by Warren Buckland (ed)
Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945
Reviewer: Steen Christiansen

The British Cinema Book by Robert Murphy (ed)
A Short History of Film
Reviewer: Paul Quinn

100 Film Noirs (BFI Screen Guides) by Jim Hillier and Alastair Phillips
Film Noir: Hard-Boiled Modernity and the Cultures of Globalization
Reviewer: Keith James Hamel

Fame by Mark Rowlands
American Idolatry: Celebrity, Commodity and Reality Television
Reviewer: Melanie Kennedy

Second Takes: Critical Approaches to the Film Sequel by Carolyn 
Jess-Cooke and Constantine Verevis (eds)
Film Sequels: Theory and Practice from Hollywood to Bollywood
Reviewer: Stuart Henderson

Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox 
of Pleasurable Fear by Julian Hanich
Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective
Reviewer: Flavia Monceri

[ALL BOOK REVIEWS ON ONE PAGE]



Film Reviews

I AM: Afia, Megha, Abhimanyu and Omar
Reviewer: Rohit K Dasgupta

Phineas and Ferb
Reviewer: Derek Jones

The Turin Horse
Reviewer: Philip Phillis

The Monk
Reviewer: Simon Dawes

That Girl in Yellow Boots
Reviewer: Sukhmani Khorana

[ALL FILM REVIEWS ON ONE PAGE]



Conference Reports

The Diasporic Family in Cinema, School of Oriental and African Studies, 
University of London, 21 May 2011
Reporter: Deniz Günes Yardimci

NECS Conference 2011, King's College and Birkbeck, University of London, 
23-26 June
Reporter: Celia Nicholls and Richard Wallace

Screen Studies Conference 2011: Repositioning Screen History, University 
of Glasgow, 1–3 July 2011
Reporter: Linda Hutcheson and Natália Pinazza

Images of Whiteness, InterDisciplinary.Net, Oxford University, 12–14 
July 2011
Reporter: Clare Reed

[ALL CONFERENCE REPORTS ON ONE PAGE]



Department of Culture, Film and Media, University of Nottingham, 
University Park, Nottingham, NG7 2RD, UK
E-Mail: (scope /at/ nottingham.ac.uk) | Tel: +44 (0)115 951 4850 | Fax: +44 
(0)115 951 5812



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