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[ecrea] CFP: Special issue of Between Journal, "Forms, Strategies and Mutations of Serial Narratives"
Wed Sep 23 15:32:54 GMT 2015
Special issue of Between Journal
Call for Papers: "Forms, Strategies and Mutations of Serial Narratives"
Proposals due: January 30, 2016
A narrative can be serialized in two fundamental ways: on the one hand,
by repeating a model, a pattern or a narrative structure; on the other,
by splitting it into separate and consecutive installments. The first
option derives from oral communication and story-telling and its origins
can be identified in fairy tales, mythological cycles, Nordic sagas,
Medieval chivalry, Renaissance epic (and today it can be identified in
popular literature, film and television series). The second typology is
typical of modern times and is characterized by a subdivision into
different units to be published at regular time intervals. Since the
1830s the practice of writing serialized novels, as feuilleton attached
to a newspaper, began in England and France and spread all over Europe.
In both its forms, with endless possibilities of hybridizations,
seriality has been adopted by all genres and by all media: comics,
cinema, radio, television, video games and recently the web. It can be
said that seriality is 'contagious'; it passes from a medium to another,
from orality to writing, from writing to digital media. Seriality is
characterised by intermediality and interculturality; it belongs both to
high and popular culture and connects different cultures through mass
communication. Seriality is strongly influenced by creative innovation
and, at the same time, marketing strategies. Its mechanisms of
repetition and continuity can be either simple or complex and can easily
migrate from one medium to another.
Serial narrative creates a complex interaction between narration,
production and distribution, questioning textual boundaries, the
attribution of authorship, the relationship between author and audience,
the completeness and wholeness of a fictional world that can expand and
become uncontrollable.
The aim of Between number 11 is to explore the nature and forms of
serial narrative, from a historical, narratological, cultural and medial
point of view. Interdisciplinary contributions focusing on the
relationships among literatures, media and cultures from a diachronic
perspective are particularly welcome.
Possible topics:
-- Theory and definition of serial narrative
-- Serial narrative between literature, comics, film and television
-- History of serial narrative
-- Seriality and premodern literatures
-- Serial narrative between art and entertainment
-- Seriality and popular literature
-- Problems of authorship in seriality
-- The representation of hero/heroine in serial narrative
-- Problems of reception in serial narrative
-- Seriality and journalistic narrative
-- Interculturality and intermediality of serial narrative
-- Serial narrative in the new media (www)
Paper proposals (ready to be published and accompanied by abstract)
should be sent by January 30, 2016 following the instructions available
on the submission page of the website. Texts selected to be submitted to
peer-review will be indicated by March 1, 2016. Papers finally accepted
will be published in May 2016.
Proposals in language other than Italian or in bilingual version
(including an English version) are appreciated and encouraged.
Contact Info:
Guest editors:
Andrea Bernardelli, University of Perugia ((andrea.bernardelli /at/ unipg.it)
<mailto:(andrea.bernardelli /at/ unipg.it)>)
Eleonora Federici, University of Napoli "L'Orientale"
((efederici /at/ unior.it) <mailto:(efederici /at/ unior.it)>)
Gianluigi Rossini, University of L'Aquila ((g.rossini.it /at/ gmail.com)
<mailto:(g.rossini.it /at/ gmail.com)>).
Contact Email: (g.rossini.it /at/ gmail.com) <mailto:(g.rossini.it /at/ gmail.com)>
URL:
http://ojs.unica.it/index.php/between/pages/view/CFP_Between_VI.11_racconto_seriale
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