[Commlist] MIRAJ: Moving Image Review & Art Journal 11.1 published

Intellect is pleased to announce that MIRAJ:Moving Image Review & Art 
Journal 11.1 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal 
<https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal>


Aims & Scope


The Moving Image Review & Art Journal(MIRAJ) is the first international 
peer-reviewed scholarly publication devoted to artists’ film and video, 
and its contexts. It offers a wide-reaching international forum for 
debates surrounding all forms of artists’ moving image and media 
artworks: films, video installations, expanded cinema, video 
performance, experimental documentaries, animations and other 
screen-based works made by artists. MIRAJ aims to consolidate artists’ 
moving image as a distinct area of study that bridges a number of 
disciplines including, but not limited to art, film and media.


Issue 11.1


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00001>

MICHAEL MAZIÈRE AND LUCY REYNOLDS


Articles


‘A long meandering slide’: Feminist critique, genderqueerness, sexual 
agency and Crip subjectivity in Stephen Dwoskin’s late works 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00002>

JENNY CHAMARETTE


Exhibition as cinema, cinema as exhibition: Philippe Parreno and the 
moving image in the museum 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00003>

OLGA SMITH


Between presence and absence in Tuni Chatterji’s Okul Nodi 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00004>

PRIYANKA BASU


Features


Material Frampton 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00005>

RACHEL MOORE


The most beautiful film ever made 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00006>

MANU RAMOS


Soundings and shadows from immaterial worlds: A post-festival 
conversation with Lucy Davis and Alia Syed 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00007>

LUCY DAVIS AND ALIA SYED


Reviews


Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A 
Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea 
Bellini 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00008>

MARIA WALSH


Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00009>

LAUREN HOULTON


Memory and Intermediality in Artists’ Moving Image, Sarah Durcan (2021) 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00010>

CATHERINE FOWLER


London’s Arts Labs and the 60s Avant-Garde, David Curtis (2020) Artists’ 
Film, David Curtis (2021) 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00011>

NICKY HAMLYN


Corrigendum 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2022/00000011/00000001/art00012>


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