[Commlist] Critical Studies n Fashion & Beauty 13.1 published (Special Issue: ‘CuratorialReflections’)

Intellect is pleased to announce that Critical Studies in Fashion & 
Beauty 13.1 is out now!


Special Issue: ‘Curatorial Reflections’


For more information about the journal and issue click here>>

https://www.intellectbooks.com/critical-studies-in-fashion-beauty 
<https://www.intellectbooks.com/critical-studies-in-fashion-beauty>


Aims & Scope


Critical Studies in Fashion & Beauty(CSFB) engages analytically, 
critically and creatively with fashion and/or beauty. At times lumped 
together conceptually into ‘the fashion-beauty complex’, this journal 
acknowledges the problems associated with collapsing these terms, such 
as: (a) the conflation of fashion and beauty, concepts which encompass 
varying degrees and types of agency, change and dynamism; (b) the 
implicit reinforcement of white hegemonic femininity (and hence, the 
exclusion of masculinities, people of colour, older adults, 
differentially abled individuals, and queer and transgender 
subjectivities); and (c) the blurring of distinct industries. At the 
same time, the body is the centrepiece of fashion and beauty alike – in 
cultural representation as well as in everyday life. CSFB seeks to 
foster more diverse and inclusive ways of understanding the embodiment 
of aesthetics and politics. It does so by dismantling hegemonic 
assumptions and propelling fresh theoretical and methodological 
approaches to the study of fashion and/or beauty.


Issue 13.1


Editorial Foreword


Editorial foreword to the Special Issue on ‘Curatorial Reflections’ 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00001>

SUSAN B. KAISER AND ANNEKE SMELIK


Introduction


Curatorial reflections in North American university fashion collections: 
Challenging the canon 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00002>

DENISE NICOLE GREEN AND KELLY L. REDDY-BEST


Articles


Curating costumes from many lands: Addressing the colonial gaze in two 
university dress collections through digital curation 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00003>

LYNDA MAY XEPOLEAS AND EMILY HAYFLICK


Curating Dior to Disco: Extrapolating complex narratives from existing 
objects 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00004>

JEAN E. MCELVAIN AND CAREN S. OBERG


An exhibition: One American Family: A Tale of North and South 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00005>

LINDA WELTERS, REBECCA KELLY AND SUSAN J. JEROME


Reflections on Peruvian Textile Traditions: A Living Heritage exhibit 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00006>

ASTRID VIDALON


Curating the circus: Collaboration and responsibilities in digital 
costume exhibitions 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00007>

JENNY LEIGH DU PUIS AND CHISATO YAMAKAWA


Curating a fashion exhibition centred on Black women: Combatting 
individual and systemic oppression at land-grant university fashion 
museums 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00008>

DYESE L. MATTHEWS AND KELLY L. REDDY-BEST


The fashion and textiles collection matrix: A proposed self-assessment 
tool 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00009>

SARA B. MARCKETTI AND JENNIFER FARLEY GORDON


Exhibition Review


A Look at the Black Fashion Museum Collection and Designer Peter Davy, 
National Museum of African American History and Culture, Washington, DC, 
online exhibition, available since 1 June 2017 
<https://www.ingentaconnect.com/contentone/intellect/csfb/2022/00000013/00000001/art00010>

DYESE L. MATTHEWS




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