[Previous message][Next message][Back to index]
[Commlist] New Book: Social TV: Multi-Screen Content and Ephemeral Culture
Tue Jul 19 16:10:53 GMT 2022
-------- Forwarded Message --------
Subject: [CULTSTUD-L] New Book: Social TV: Multi-Screen Content and
Ephemeral Culture
Date: Mon, 18 Jul 2022 16:14:19 -0500
From: Cory Barker <(barkerc65 /at/ GMAIL.COM)>
Reply-To: A listserv devoted to Cultural Studies <(CULTSTUD-L /at/ LISTS.UMN.EDU)>
To: (CULTSTUD-L /at/ LISTS.UMN.EDU)
Cory Barker is happy to announce the publication of the book, /Social
TV: Multi-Screen Content and Ephemeral Culture
<https://www.upress.state.ms.us/Books/S/Social-TV>/, with the University
Press of Mississippi.
*Description: *In/Social TV: Multi-Screen Content and Ephemeral
Culture/, Cory Barker reveals how the US television industry
promised—but failed to deliver—a social media revolution in the 2010s to
combat the imminent threat of on-demand streaming video. Barker examines
the rise and fall of Social TV across press coverage, corporate
documents, and an array of digital ephemera. He demonstrates that,
despite the talk of disruption, the movement merely aimed to exploit
social media to reinforce the value of live TV in the modern attention
economy. Case studies from broadcast networks to tech start-ups uncover
a persistent focus on community that aimed to monetize consumer behavior
in a transitionary industry period.
To trace these unfulfilled promises and flopped ideas, Barker draws upon
a unique mix of personal Social TV experiences and curated archives of
material that were intentionally marginalized amid pivots to the next
big thing. Yet in placing this now-forgotten material in recent
historical context,/Social TV/shows how the era altered how the industry
pursues audiences. Multi-screen campaigns have shifted away from a focus
on live TV and toward all-day “content” streams. The legacy of Social
TV, then, is the further embedding of media and promotional material
onto every screen and into every moment of life.
*Select Reviews*:
"An especially timely volume,/Social TV/is an impressive study of
the Social TV archive for several key case studies, each of which
speak to different subsectors of Social TV, while commenting on the
broader cultural and industrial ramifications of social media
engagement./Social TV/offers readers a rich archive through which to
examine shifts in the TV industry. "
- Jennifer Gillan, author of Television Brandcasting: The Return of
the Content-Promotion Hybrid
"Barker’s meticulously researched ‘ephemeral historiography’ of the
rise and fall of Social TV offers fresh insights into some of this
moment's more notable experiments, from ABC’s #TGIT to AMC’s Story
Sync. Vitally, it also excavates under-theorized industrial
experiments to gauge and reward fan participation from this era,
from check-in platforms’ efforts to gamify television viewing to
Amazon’s experiments with ‘fansourcing’ feedback on their television
pilots. The result is a comprehensive and compelling account of the
television industry’s attempt to embrace emergent platforms, while
managing audience engagement on their terms."
- Suzanne Scott, author of Fake Geek Girls: Fandom, Gender, and the
Convergence Culture Industry
---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ commlist.org)
URL: http://nicocarpentier.net
---------------
[Previous message][Next message][Back to index]