[Commlist] New Book: Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

Rachel Barraclough is pleased to announce the publication of my new 
monograph,/*Japanese Horror Cinema and Deleuze: Interrogating and 
Reconceptualizing Dominant Modes of Thought*/, on Thursday 10^th 
February 2022.

The book is available now for pre-order in hardback on Bloomsbury’s 
website and available for purchase in E-book format.

Using theories of national, transnational and world cinema, genre 
theories and psychoanalysis as the basis of its argument, /Japanese 
Horror Cinema and Deleuze/ argues that these understandings of Japanese 
horror films can be extended in new ways through the philosophy of Deleuze.

The book focusses on three, key filmic case studies, /Ju-On: The 
Grudge/ (2002), /Audition /(1999) and /Kairo /(/Pulse/) (2001), but aims 
to highlight how existing understandings, based around genre, 
nationality, transnationality, adaptation and auteurship, may be 
transformed for films more broadly.

The link to the Bloomsbury page, where you can learn more, is here: 
Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing 
Dominant Modes of Thought: Rachel Elizabeth Barraclough: Bloomsbury 
Academic 
<https://www.bloomsbury.com/uk/japanese-horror-cinema-and-deleuze-9781501368295/>

If you wish to purchase the book, please use discount code: *GLR 9XLUK* 
on the first page at checkout, as this will allow you to get 35% off the 
price of the book.

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