[ecrea] Riffs: Experimental writing on popular music - Volume 1 Issue 2

The editorial team of Riffs: Experimental writing on popular music 
<http://riffsjournal.org> are pleased to share our most recent 
publication with you.


Volume 1 Issue 2 is now available to download here: 
http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/


/Riffs / is an Open Access Postgraduate journal run by PhD and MA 
students at Birmingham City University, and supported by the BCMCR 
(Birmingham Centre for Media & Cultural Research). This issue is guest 
edited by Simon Barber with words from songwriter Dan Wilson.


A CfP will be announced shortly for our Vol 2 Issue 1 shortly. For 
further information please email (info /at/ riffsjournal.org) 
<mailto:(info /at/ riffsjournal.org)> or follow @popmusicjournal 
<https://twitter.com/popmusicjournal>



*Contents*

Editorial 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/editorial-simon-barber-birmingham-city-university/> – 
Simon Barber (Birmingham City University)


Dropping Pebbles 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/dropping-pebbles-brian-david-stevens/>– 
Brian David Stevens


Mimesis (1, 2 & 3) 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/mimesis-1-2-3-tom-pierard-the-eastern-institute-of-technology-new-zealand/> – 
Tom Pierard (The Eastern Institute of Technology, New Zealand)


About About: A Songwriter’s perspective 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/about-about-a-songwriters-perspective-tom-wilson-royal-holloway-college-uk/> – 
Tom Wilson (Royal Holloway College, UK)


UNBROKEN CHAINS: the fascination of psychedelia with bicycles and the 
long strange trips that ensued 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/unbroken-chains-the-fascination-of-psychedelia-with-bicycles-and-the-long-strange-trips-that-ensued-camila-asia-london-south-bank-university-uk/> – 
Camilla Aisa (London South Bank University, UK)


SONG-PEACE-WAR-SINS-INDUSTRY-DISCONTENT-FAME-OBSCURITY 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/song-peace-war-sins-industry-discontent-fame-obscurity-daniel-fardon-university-of-birmingham-uk/> – 
Daniel Fardon (University of Birmingham, UK)


El Tren Fantasma: A Familiar Journey into Unknown Narratives 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/el-tren-fantasma-a-familiar-journey-into-unknown-narratives-fiamma-mozzetta-goldsmiths-university-of-london-uk/> – 
Fiamma Mozzetta (Goldsmiths, University of London, UK)


Bone Machine (1992). What the hell is Tom Waits singing about? 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/bone-machine-1992-what-the-hell-is-tom-waits-singing-about-adriano-tedde-griffiths-university-australia/>– 
Adriano Tedde (Griffith University, Australia)


How can you sing a song if you have no voice? Disabled musicians, 
activism, technology, and the authenticity of creativity 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/how-can-you-sing-a-song-if-you-have-no-voice-disabled-musicians-activism-technology-and-the-authenticity-of-creativity-leon-clowes-university-of-huddersfield-uk/> – 
Leon Clowes (University of Huddersfield, UK / Drake Music)


Aotearoa: Picturing the lyrics of the land 
<http://riffsjournal.org/issues/volume-1-issue-2-oct-2017/aotearoa-picturing-the-lyrics-of-the-land-katie-rochow-wellington-university-new-zealand/> – 
Katie Rochow (Wellington University, New Zealand)


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