[ecrea] VIEW Journal Celebrates Fifth Anniversary with New Interface

To celebrate its fifth anniversary, the VIEW Journal of European 
Television History and Culture brings its readers a fully redesigned 
website and the release of its latest issue on Non-fiction Transmedia.

Fresh Look

VIEW Journal started five years ago as the first peer-reviewed, 
multimedia and open access e-journal in its field. The online open 
access journal now has a fresh new look. Its new interface makes reading 
and navigation easier. More importantly, it now offers room for 
discussion – with the possibility to leave comments and responses under 
every article. Articles still feature embedded audiovisual sources. The 
journal continues to provide an online reading experience fit for a 21st 
century media journal.

Fifth Anniversary

VIEW Journal was started by EUscreen and the European Television History 
Network. It is published by the Netherlands Institute for Sound and 
Vision in collaboration with Utrecht University, Université du 
Luxembourg and Royal Holloway University of London. A heartfelt thank 
you goes to the support of all authors, the editorial board, and team, 
who have worked hard over the years to build up a journal with renown.

For the past five years, VIEW has published two issues per year. The 
journal’s aim – to offer an international platform in the field of 
European television history and culture – still stands. It reflects on 
television as an important part of our European cultural heritage and is 
a platform for outstanding academic and archival research. The journal 
was and remains open to many disciplinary perspectives on European 
television; including but not limited to television history, television 
studies, media sociology, media studies, and cultural studies.

Issue 10: Non-Fiction Transmedia

With the new design it also proudly presents its 10th issue on 
Non-fiction Transmedia. This issue was co-edited by Arnau 
Gifreu-Castells, Richard Misek and Erwin Verbruggen. The issue offers a 
scholarly perspective on the emergence of transmedia forms; their 
technological and aesthetic characteristics; the types of audience 
engagement they engender; the possibilities they create for engagement 
with archival content; technological predecessors that they may or may 
not have emerged from; and the institutional and creative milieux in 
which they thrive.

You can find the full table of contents for the second issue below. We 
wish you happy reading and look forward to your comments on the renewed 
viewjournal.eu <http://viewjournal.eu>.

Table of Contents

EDITORIAL

Transgressing the Non-fiction Transmedia Narrative – Arnau 
Gifreu-Castells, Richard Misek, Erwin Verbruggen

DISCOVERIES

Story, History and Intercultural Memory: Can a Transmedia Approach 
Benefit an Archive-Based Documentary Project? – Marida Di Crosta, Anita 
Leandro
Interactive Graphic Journalism – Laura Schlichting
Aligning Participation with Authorship: Independent Transmedia 
Documentary Production in Norway – Joakim Karlsen
Crossroads. Life Changing Stories from the Second World War: A 
(Transmedia) Storytelling Approach to World War II Heritage – Licia 
Calvi, Moniek Hover
I’m Sorry I Don’t Have a Story: An Essay Involving Interactive 
Documentary, Bristol and Hypertext – Adrian Miles

EXPLORATIONS

Small Change – Big Difference: Tracking the Transmediality of Red Nose 
Day – Matthew Freeman
Emergent Principles for Digital Documentary – Richard Lachman
Korsakow Perspective(s): Rethinking Documentary Knowledge in Digital 
Multilinear Environments – Franziska Weidle
A Transmedia Topology of ‘Making a Murderer’ – Alan Hook, Danielle 
Barrios-O’Neill, Jolene Mairs Dyer



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