[ecrea] Publication announcement: Music and the Broadcast Experience

Christina Baade and James A. Deaville, Eds.: Music and the Broadcast 
Experience

Oxford University Press

Music and the Broadcast Experience explores the complex ways in which 
music and broadcasting have developed together throughout the twentieth 
and into the twenty-first centuries. It brings into dialogue researchers 
working in media and music studies; explores and develops crucial points 
of contact between studies of music in radio and music in television; 
and investigates the limits, persistence, and extensions of music 
broadcasting in the Internet era. The book presents a series of case 
studies that address key moments and concerns in music broadcasting, 
past and present, written by leading scholars in the field, who hail 
from both media and music studies. Unified by attentiveness both to 
musical sound and meaning and to broadcasting structures, practices, 
audiences, and discourses, the chapters in this collection address the 
following topics: the role of live orchestral concerts and opera in the 
early development of radio and their relation to ideologies of musical 
uplift; the relation between production culture, music, and television 
genre; the function of music in sponsored radio during the 1930s; the 
fortunes of musical celebrity and artistic ambition on television; 
questions of music format and political economy in the development of 
online radio; and the negotiation of space, community, and participation 
among audiences, online and offline, in the early twenty-first century. 
The collection's ultimate aim is to explore the usefulness and 
limitations of broadcasting as a concept for understanding music and its 
cultural role, both historically and today.

Chapter 1: Broadcasting-Concerts - Jenny Doctor
Chapter 2: The Role of Opera in the Rise of Radio in the U.S. - Timothy 
Taylor
Chapter 3: Spectacular Sound - Shawn VanCour
Chapter 4: The Machine Hums - Louis Niebur
Chapter 5: Musical Theater Meets Reality TV - Christine Quail
Chapter 6: Frame Analysis and the National Biscuit Company's Let's Dance 
- Rika Asai
Chapter 7: Passing Pappy's Biscuits - Alexander Russo
Chapter 8: Toscanini, Ormandy, and the First Televised Orchestra 
Concert(s) - James Deaville
Chapter 9: John, Yoko, and Mike Douglas - Norma Coates
Chapter 10: Radio Formats in the United States - Ron Rodman
Chapter 11: Music Radio Goes Online - Tim Wall
Chapter 12: New Media, New Festival Worlds - Fabian Holt
Chapter 13: Worship on the Web - Monique Ingalls
Chapter 14: Incarcerated Music - Christina Baade

https://global.oup.com/academic/product/music-and-the-broadcast-experience-9780199314706?cc=dk&lang=en&#
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