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[ecrea] Book review copies - Historical Journal of Film, Radio and Television
Wed Jun 08 21:07:34 GMT 2016
The "Historical Journal of Film, Radio and Television" examines the
history of audio-visual media and its impact on the political, social
and cultural developments. The HJFRT also reviews books on related
topics. We take pride in reviewing not only books published in English,
but also to cover books published in foreign languages.
The HJFRT is looking for book reviewers to contribute to future issues
and has brand new copies of the following titles:
A Truffaut Notebook. Written by Sam Solecki.McGill-Queen's University
Press, 2015.
Bollywood in Britain. Cinema, Brand, Discursive Complex. Written by
Lucia Krämer. Bloomsbury, 2016.
Border Crossing: Russian Literature Into Film. Edited by Alexander Burry
and Frederick H. White. Edinburgh University Press, 2016.
Broadcasting in the UK and Us in the 1950s: Historical Perspectives.
Edited by Jamie Medhurst and Sian Nicholas. Cambridge Scholars
Publishing, 2015.
Cecil Hepworth and the Rise of the British Film Industry 1899-1911.
Written by Simon Brown. University of Exeter Press, 2016.
Exposing the Film Apparatus: The Film Archive as a Research Laboratory.
Edited by Giovanna Fossati and Annie van den Oever. Amsterdam University
Press – EYE Filmmuseum, 2016.
Expressionism and Film. Written by Rudolf Kurtz. Edited with an
afterword by Christian Kiening and Ulrich Johannes Beil. John Libbey
Publishing, 2016.
Filming Horror. Hindi Cinema, Ghosts and Ideologies. Written by Meraj
Ahmed Mubarki. Sage, 2016.
Grindhouse Nostalgia. Memory, Home Video and Exploitation Film Fandom.
Written by David Church. Edinburgh University Press, 2016.
In Secrecy's Shadow. The OSS and CIA in Hollywood Cinema 1941-1979.
Written by Simon Willmetts. Edinburgh University Press, 2016.
Julie Christie. By Melanie Bell. British Film Institute - Palgrave, 2016
Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer
Strukturen und die Digital Humanities.Written by Adelheid Heftberger.
Edition text+kritik, 2016.
Making Sense of Cinema. Empirical Studies into Film Spectators and
Spectatorship. Edited by Carrie Lynn D. Reinhard and Christopher J.
Olson. Bloomsbury, 2016.
Medienkultur und Bildung: Ästhetische Erziehung im Zeitalter digitaler
Netzwerke. Edited by Malte Hagener and Vinzenz Hediger. Campus, 2015.
Moralizing Cinema. Film, Catholicism and Power. Edited by Daniel
Biltereyst and Daniela Treveri Gennari. Routledge, 2015.
Sergei Eisenstein. Notes for a general history of cinema. Edited by Naum
Kleiman and Antonio Somiani. Amsterdam Universy Press, 2016.
The Children's Film Foundation : History and Legacy Hardback. Written by
Robert Shail. British Film Institute - Palgrave, 2016.
The Feel-Bad Film. Written by Nikolaj Lübecker. Edinburgh University
Press, 2015.
The Marvel Studios Phenomenon. Inside a Transmedia Universe. Written by
Martin Flanagan, Andrew Livingstone and Mike McKenny. Bloomsbury, 2016.
The Rise and Fall of the UK Film Council. Written by Gillian Doyle,
Philip Schlesinger, Raymond Boyle and Lisa W. Kelly. Edinburgh
University Press, 2015.
The US-Mexico Border in American Cold War Film. written by Stephanie
Fuller (Palgrave Macmillan, 2015).
Reviews are typically in the 500-1.000 word range. If a book is assigned
to you, you will receive a review copy in the second half of June. The
submission deadline for your review would be 28 November 2016.
If you are interested, please contact me at (roel.vandewinkel /at/ gmail.com)
<mailto:(roel.vandewinkel /at/ gmail.com)>. Please mention the title of your
choice. Kindly add some information about your own research and
expertise. In other words, please explain why you are interested in
reviewing the title of your choice.
Kind regards,
Roel Vande Winkel
Associate Editor, “Historical Journal of Film, Radio and Television”
KU Leuven * LUCA School of Arts
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