Archive for publications, 2016

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[ecrea] new book announcement: The X-Men Films: A Cultural Analysis

Sun Apr 24 11:50:04 GMT 2016



New Book Announcement
The X-Men Films: A Cultural Analysis (Rowman & Littlefield)

Originally appearing as a comic book in the 1960s, X-Men has been a cultural touchpoint for decades. Since the release of the first film in 2000, the series has enjoyed an even greater transnational presence. With each successive film, the franchise has secured its place within global popular culture, becoming one of the most profitable and complex superhero series to date. While much of the research that has been published on the X-Men focuses on the comics, the movies constitute their own cultural text—a conceptual universe that continues to expand as new additions to the franchise are released. The X-Men Films: A Cultural Analysis features contributions from a diverse group of scholars and addresses various aspects of the films. Drawing from work in communication, cultural studies, and media studies, the chapters situate the franchise within contemporary contexts, discussing how it represents issues of power, difference, and marginalization. The authors ask questions such as: What do “mutants” really represent? What role do women and people of color play in the narratives? Why does it matter that Professor X is disabled? Why is Mystique often shown nude in the movies, but not in comics? What facilitated Wolverine’s rise to prominence? And how do topics regarding identity, trauma, utopia, bioethics, and transhumanism figure in the stories?

Exploring issues relevant for a multicultural world and connecting thematic elements from the films to political debates and social struggles, the book seeks to make a thoughtful contribution to the scholarship of popular culture.

Table of Contents

Introduction - Claudia Bucciferro

I. Utopian and immersive experiences
1	Superherotopia: American Utopianism and the Mutant Superhero - Matt Yockey
2 The Immersive Marketing Campaign for X-Men: Days of Future Past - Nicolò Gallio

II. Agency and authority
3 Superhuman Authority: Fascism and Bioethics in the X-Men Films - Evan Hayles Gledhill 4 Magneto’s Dilemma: The Technological Limitations of Mutant Transhumanism - Ron Von Burg and D. Stokes Piercy 5 PTXD: Gendered Narratives of Combat, Trauma, and the Civil-Military Divide - Christina M. Knopf and Christine M. Doran

III. Women and power
6 Containing the X-Women: De-Powering and De-Queering Female Characters - Carolyn Cocca
7	Shapeshifting Identity: Mystique’s Embodied Agency - Jason Zingsheim
8 The “Stolen” Superpowers of Marvel’s Rogue - Julie Davis and Robert Westerfelhaus 9 The Curious Case of “Dr.” Jean Grey, Mystique, and Mariko - Barbara Cook Overton, Athena Du Pré, Loretta L. Pecchioni, and John H. Overton
IV. Masculinity and race
10 Wolverine in Transition: Shifting Portrayals of Masculinity and Identity - Nathan Miczo 11 Techno-Orientalist Villains and White Masculinity in the Wolverine Movies - David Oh 12 Reframing Disabled Masculinity: Xavier as Marvel’s Super-Crip - Jessica Benham 13 Mutating Minorities: White Racial Framing and Group Positioning - Jason Smith

V. Passing and otherness
14	Passing while Homo Superior - Kat Overland
15	Mutancy, Otherness, and Empathy in the X-Men - Claudia Bucciferro

Epilogue - Jason Zingsheim and Claudia Bucciferro

For more details, please contact Dr. Claudia Bucciferro at (bucciferro /at/ gonzaga.edu) or see the publisher’s website at https://rowman.com/ISBN/9781442265349/The-X-Men-Films-A-Cultural-Analysis



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