Archive for publications, June 2014

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[ecrea] Adaptation: New Issue online

Tue Jun 03 23:10:30 GMT 2014




The latest issue of Adaptation has just published online.



Articles in this issue include:



There’s No Space Like Home: Anglo American Displacement in Washington Square [Abstract]

Jayson Baker

http://www.oxfordjournals.org/page/5953/1



‘The Mercurial Quality of Being’: Sudden Moves in Beau Travail and Billy Budd [Abstract]

Elizabeth Alsop

http://www.oxfordjournals.org/page/5953/2



(No) Voice Out of the Whirlwind: The Book of Job and the End of the World in A Serious Man, Take Shelter, and The Tree of Life [Abstract]

Russell J. A. Kilbourn

http://www.oxfordjournals.org/page/5953/3



When Page Won’t Go to Stage: Adaptation-Resistant Embryos of Theatricality in Agatha Christie’s ‘Three Blind Mice’ and ‘Witness for the Prosecution’ [Abstract]

Caroline Marie

http://www.oxfordjournals.org/page/5953/4



The Ethics of Appropriation: Samson Agonistes, Inglourious Basterds, and the Biblical Samson Tale [Abstract]

Greg M. Colón Semenza

http://www.oxfordjournals.org/page/5953/5



Adaptation Essay Prize Winner: ‘I Did It, I’: The Afterlife of Sylvia Plath’s Journals, 1956–2003 [Abstract]

Bethany Layne

http://www.oxfordjournals.org/page/5953/6



Reviews

Katja Krebs, ed., Translation and Adaptation in Theatre and Film [Extract]

Maddalena Pennacchia

http://www.oxfordjournals.org/page/5953/7



If You Build It, She Will Come: An Appreciation of Baz Luhrmann’s The Great Gatsby (2013) [Extract]

Steve Chibnall

http://www.oxfordjournals.org/page/5953/8



About the journal



Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and ‘classic’ adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.



For more information and to subscribe please visit www.adaptation.oxfordjournals.org.

http://www.oxfordjournals.org/page/5953/9



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