Archive for publications, 2013

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[ecrea] Adaptation: New Special Issue - Adaptation, Transmedia Storytelling and Participatory Culture

Wed Jul 31 12:02:59 GMT 2013



The latest issue of Adaptation, a Special Issue entitled 'Adaptation, Transmedia Storytelling and Participatory Culture' has just published online.

Introduction: Adaptation, Transmedia Storytelling and Participatory Culture
http://www.oxfordjournals.org/page/5358/1
Eckart Voigts and Pascal Nicklas

Articles in this issue include:

Para-adaptation: Or How I Learned to Stop Worrying and Love Convergence Culture
http://www.oxfordjournals.org/page/5358/2
Costas Constandinides

Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories
http://www.oxfordjournals.org/page/5358/3
Benjamin Poore

Remixing Period Drama: The Fan Video and the Classic Novel Adaptation
http://www.oxfordjournals.org/page/5358/4
Chris Louttit

Adaptation as an Open Process: Dahua Fandom and the Reception of A Chinese Odyssey
http://www.oxfordjournals.org/page/5358/5
Li Zeng

'Following the Pattern': The Creation of an Encyclopaedic Universe with Transmedia Storytelling
http://www.oxfordjournals.org/page/5358/6
Mélanie Bourdaa

Transmedia Beckett: Come and Go and the Social Media Archive
http://www.oxfordjournals.org/page/5358/7
Mike Frangos

Adapting Superhero Comics for the Big Screen: Subculture for the Masses
http://www.oxfordjournals.org/page/5358/8
Elisavet Ioannidou

Review:

The Fidelity Game: Who Gets to Play?
http://www.oxfordjournals.org/page/5358/9
James Collins

About the journal

Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and 'classic' adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.

For more information and to subscribe please visitwww.adaptation.oxfordjournals.org.


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