Archive for publications, 2010

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[ecrea] Journal of British Cinema and Television / Volume: 7, Number: 1 (Apr 2010)

Thu Mar 04 11:19:14 GMT 2010



The above issue is now available online from Edinburgh University Press
at: http://www.euppublishing.com/toc/jbctv/7/1?ai=sh&ui=ue&af=T

Register at www.eupjournals.com to receive Table of Contents Alerts when new material in your field of interest is uploaded to the site and to view sample issues and featured articles for free.

Contents

Introduction

Simon Brown and Sarah Street
Journal of British Cinema and Television, Vol. 7, No. 1: 1.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001290?ai=sh&ui=ue&af=T

Korda, Technicolor and the Zeitgeist
Charles Drazin
Journal of British Cinema and Television, Vol. 7, No. 1: 5-20.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001307?ai=sh&ui=ue&af=T

Ealing's Colour Aesthetic: Saraband for Dead Lovers
Keith Johnston
Journal of British Cinema and Television, Vol. 7, No. 1: 21-33.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001319?ai=sh&ui=ue&af=T

'In Blushing Technicolor': Colour in Blithe Spirit
Sarah Street
Journal of British Cinema and Television, Vol. 7, No. 1: 34-52.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001320?ai=sh&ui=ue&af=T

Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama
Liz Watkins
Journal of British Cinema and Television, Vol. 7, No. 1: 53-68.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001332?ai=sh&ui=ue&af=T

Chromatic Borders, Cosmetic Bodies: Colour in the Films of Nicolas Roeg
Andrew Patch
Journal of British Cinema and Television, Vol. 7, No. 1: 69-81.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001344?ai=sh&ui=ue&af=T

Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts (Z.0.0.)
Raphaelle Costa de Beauregard
Journal of British Cinema and Television, Vol. 7, No. 1: 82-94.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001356?ai=sh&ui=ue&af=T

The Techno-politics of Colour: Britain and the European Struggle for a Colour Television Standard
Andreas Fickers
Journal of British Cinema and Television, Vol. 7, No. 1: 95-114.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001368?ai=sh&ui=ue&af=T

The Second World War in Colour: The UK History Documentary Boom and Colour Archive
Dafydd Sills-Jones
Journal of British Cinema and Television, Vol. 7, No. 1: 115-130.
http://www.euppublishing.com/doi/abs/10.3366/E174345210900137X?ai=sh&ui=ue&af=T

Early Colour Film Restoration at the BFI National Archive
Sonia Genaitay and Bryony Dixon
Journal of British Cinema and Television, Vol. 7, No. 1: 131-146.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001381?ai=sh&ui=ue&af=T

Interview

Reviving the Lost Experience of Kinemacolor: David Cleveland and Brian Pritchard
Victoria Jackson
Journal of British Cinema and Television, Vol. 7, No. 1: 147-159.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001393?ai=sh&ui=ue&af=T

Book Reviews

Pam Cook (ed.), The Cinema Book, 3rd edn (London: Palgrave Macmillan/British Film Institute, 2007), pp. xiv + 610, illus., ISBN 978 1 84457 193 2 (pb), £28.99.Robert Murphy (ed.), The British Cinema Book, 3rd edn (London: Palgrave Macmillan/British Film Institute, 2008), pp. xii + 452, illus., ISBN 978 1 84457 275 5 (pb), £18.99. Robert Kolker (ed.), The Oxford Handbook of Film and Media Studies (New York: Oxford University Press, 2008), pp. xii + 628, ISBN 978 0 19 517596 7 (hb), US$150.
James Chapman
Journal of British Cinema and Television, Vol. 7, No. 1: 160-167.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001411?ai=sh&ui=ue&af=T

James Chapman and Nicholas J. Cull, Projecting Empire: Imperialism and Popular Cinema (London and New York: I. B. Tauris, 2009), pp xii + 244, ISBN 978 1 84511 940 9 (pb), £15.99.
Brian McFarlane
Journal of British Cinema and Television, Vol. 7, No. 1: 167-171.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001423?ai=sh&ui=ue&af=T

Geoff Mayer, Roy Ward Baker (Manchester: Manchester University Press, 2005), pp. 224, illus., ISBN 978 07190 6354 1 (hb), £45.
Sally Dux
Journal of British Cinema and Television, Vol. 7, No. 1: 171-173.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001435?ai=sh&ui=ue&af=T

John C. Tibbetts, All My Loving? The Films of Tony Palmer (Houghton-le-Spring, Tyne & Wear: Voiceprint/Chrome Dreams, 2009), pp.
460, ISBN 978 1 54240 473 7 (hb), £24.99.
Kevin M. Flanagan
Journal of British Cinema and Television, Vol. 7, No. 1: 173-175.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001447?ai=sh&ui=ue&af=T

Kevin M. Flanagan (ed.), Ken Russell: Re-Viewing England's Last Mannerist (London, Toronto and Plymouth: Scarecrow Press, 2009) pp. xxv
+ 279. ISBN 978 0 8108 6954 7 (hb), £30.00/$50.00.
John A. Riley
Journal of British Cinema and Television, Vol. 7, No. 1: 176-178.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001459?ai=sh&ui=ue&af=T

Jim Leach, Doctor Who (Detroit, MI: Wayne State University Press, 2009), pp. viii + 112, illus., ISBN 978 0 8143 3308 2 (pb), £13.50.
Andrew O'Day
Journal of British Cinema and Television, Vol. 7, No. 1: 178-180.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001460?ai=sh&ui=ue&af=T

Journal of British Cinema and Television, Vol. 7, No. 1: 181.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001472?ai=sh&ui=ue&af=T

Best wishes,

Wendy Gardiner
www.eupjournals.com


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