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[ecrea] CFP edited collection - ReFocus: The Films of Rachid Bouchareb
Fri Aug 17 12:11:05 GMT 2018
Please note this reminder/last call for proposals for an edited
collection on Rachid Bouchareb.
Call for Proposals
ReFocus: The Films of Rachid Bouchareb
Rachid Bouchareb was born in Paris in 1953 to Algerian parents and
became one of France’s first French filmmakers of North African descent.
While his career now spans over thirty years and his diverse films have
garnered both mainstream and critical success, including three Oscar
nominations, there exists no book-length study (in French or English) on
Bouchareb’s body of work. The director’s films are remarkably varied in
their themes, formal elements, and narrative settings, from Senegal,
England, Vietnam, and Algeria, to France, Belgium, Turkey, and the
United States. While diverse in many ways, Bouchareb’s films are also
linked by certain key concerns: the mixing of cultures, engagement with
contemporary political issues and debates, immigration, and identity,
among others. The director achieved national and international
recognition for Indigènes/Days of Glory (2006) and Hors-la-loi/Outside
the Law (2010), which both examine France’s colonial ties to North
Africa, yet Bouchareb’s cinematic corpus extends well beyond this
framework, and the full range of it has not been considered at length.
In addition, Bouchareb’s work as a producer is an important yet often
overlooked part of his career that merits critical attention.
We invite abstracts (~300 words) for essays on the work and career of
Rachid Bouchareb to be published as part of an edited volume in the
Edinburgh University Press ReFocus series (series editors are Robert
Singer, Ph.D. and Gary D. Rhodes, Ph.D.). The volume seeks to highlight
connections between Bouchareb’s films, with a special emphasis on his
lesser-known and understudied films (such as his shorts and
made-for-television films), to explore key influences on his output,
consider theoretical approaches to his work, and shed new light on
well-known films like Indigènes and Hors-la-loi.
Topics may include, but are not limited to, the following:
-Cinematic aesthetics and influences, including genres (road movies,
film noir, spaghetti westerns, war films, gangster movies) and the work
of other directors (such as Martin Scorsese and Sergio Leone)
-Interest in the United States: American landscapes, spaces, and
cultures; American cinema
-Mapping Bouchareb: theoretical approaches and critical frameworks
-Transcultural/cross-cultural elements (American/African American
cultures, others)
-Women and gender dynamics and/or female centered films
-Political engagement (in his films and with regard to his career more
broadly)
-Use of space(s): cities/urban spaces, francophone and other spaces
-Water in Bouchareb’s work
-Use of the same actors/actresses in different films; relationship with
his actors (such as Jamel Debbouze, Sami Bouajila, Roschdy Zem);
collaborations with co-writers and co-producers (Jean Bréhat)
-Work as a producer (feature films, television)
-Projects outside of feature films and téléfilms, such as his
collaborations with historian Pascal Blanchard (Frères d’armes – 50
short films made to be diffused on television)
-Your Suggested Topic/Area of Interest
Essays that focus on films other than Indigènes and Hors-la-loi are
particularly welcome.
Essays included in this refereed volume will be approximately 7,000
words referenced in Chicago endnote style.
The deadline for abstracts (~300 words) is September 1. Please send
abstracts and a short bio as a single attachment to both volume editors,
Leslie Kealhofer-Kemp and Michael Gott: (lkealhofer /at/ uri.edu) and
(gottml /at/ ucmail.uc.edu). The essays would be due by May 1, 2019.
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