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[ecrea] Blues in the 21st Century - Myth, Social Expression and Transculturalism - extended deadline for Call for Papers (31 July 2018)
Tue Jul 03 11:23:23 GMT 2018
A Reminder of *Conference “Blues in the 21st Century – Myth,
Social Expression and Transculturalism*”
and _extended deadline for Call for Papers_ (31 July 2018)
Venue: University of Catania, Department of Political and Social
Sciences
Web-site: http://bluescatania2.my-free.website/
Dates: 23-24 November 2018
Since its beginnings in the late 19th century, the Blues has
been more than a music style with a seminal impact on 20th
century popular music. As a medium of social expression, it
articulated the tribulations of an entire black culture, male
and female. Discourses about race were as much an integral part
of the evolution of the blues as were those of class, when young
white kids - in America and European countries, especially the
UK - adopted the music for their political and social ends.
Idealising/romanticising black models of living, their
interpretations verged on myths on the one hand, but on the
other brought out transcultural features of the blues in their
performative acts. Other realms of performing arts, such as
literature, films, etc., speak of the flexibility of the blues.
Its commercialisation by white and black record companies, or
annual festivals, is another proof of its durability. Bearing
this in mind, any doubt about the survival of the blues in the
21st century is rendered obsolete.
This multi-disciplinary conference aims to trace the
socio-political, historical, economic, transcultural, linguistic
and musicological dimensions of the blues, and to emphasise the
viability of this artistic and social medium.
We invite contributions on themes that may include (but are not
limited to):
- The Blues in film and media, or social media
- Performers and performance (current or historical
perspectives)
- Typologies of Blues performance (festivals,
street music, busking, etc.)
- Socio-political phenomena, music of protest
- History and cultural heritage, African roots,
etc.
- Impact on literature and other cultural forms
- Urban/rural musical contexts and identities
- White and black identity issues
- Forms of audience participation
- Musical travel and forms of tourism linked to the
Blues
- Blues and Gender
- Blues and kindred/related styles
- Future of the Blues (e.g. Rap, etc.)
- National scenes and their differences/analogies
- Blues and Marketing (foundations, awards,
challenges)
The conference will be held in Catania, at the Department of
Political and Social Sciences, University of Catania
(http://www.dsps.unict.it/), from 23-24th November, 2018.
Abstracts of not more than 250 words should be sent, by 30 July
2018 (update) to Uwe Zagratzki ((uwe.zagratzki /at/ uni-oldenburg.de)
<mailto:(uwe.zagratzki /at/ uni-oldenburg.de)>) and Douglas Mark Ponton
((dponton /at/ unict.it) <mailto:(dponton /at/ unict.it)>). Please indicate
your name, professional/academic affiliations, a postal address
and email. Authors will be informed of the outcome of the
selection process by 15th August.
Selected contributions will be included in a peer-reviewed
volume for publication.
Uwe Zagratzki, Professor of Anglophone Literatures, Szczecin
University/Poland ((uwe.zagratzki /at/ uni-oldenburg.de)
<mailto:(uwe.zagratzki /at/ uni-oldenburg.de)>;
(uwe.zagratzki /at/ usz.edu.pl) <mailto:(uwe.zagratzki /at/ usz.edu.pl)>)
Research profile under www.staff.uni-oldenburg.de/uwe.zagratzki
<http://www.staff.uni-oldenburg.de/uwe.zagratzki>
Douglas Mark Ponton, Associate Professor of English Language and
Translation. Research Gate profile:
https://www.researchgate.net/profile/Douglas_Ponton/publications.
Catania University page:
http://www.dsps.unict.it/content/scheda-docente?cf=UE5URExTNThIMDVaMTE
http://bluescatania2.my-free.website/
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