[Previous message][Next message][Back to index]
[ecrea] cfp: DISCO! An Interdisciplinary Conference
Thu Mar 01 23:37:17 GMT 2018
*DISCO! An Interdisciplinary Conference
University of Sussex
21-23 June 2018*
Join us on Facebook: https://www.facebook.com/discosussex2018/
From its origins as a New York City subculture amongst gay, black and
Latino/Latina practitioners, and its transition into the mainstream, to
its subsequent lives across international scenes, disco poses pivotal
questions about the entanglements of art, industry, identity, and
community. Disco is the site of many significant and lasting debates in
popular culture, including those surrounding the figures of the DJ and
the diva, the status and significance of dancing bodies, the tension
between what is authentic and what is synthetic, and the historic
maligning of society’s others.
This major interdisciplinary international conference aims to examine
and expand these debates. We therefore invite researchers from a range
of academic backgrounds to re/consider disco cultures in their shifting
historic and social contexts. We hope to explore disco as a tentacular
phenomenon that reaches across multiple sites of production and
consumption, from music and dance to fashion and film.
Keynote Presentations by:
*Melissa Blanco Borelli (Royal Holloway, University of London)
**Tim Lawrence (University of East London).*
_Potential points of entry:_
Disco as interdiscipline: music, dance, film, fashion, culture, fandom
Disco as place: Disco reaches beyond its NYC origins. How has disco
travelled? What are its different geographic and cultural contexts?
Disco as space: What kinds of spaces are explored by disco - its
dancefloors, its clubs, its streets, its towns?
Disco as identity: Disco’s queerness, disco’s blackness, disco’s
Latino/a-ness, disco’s women. Who made disco and for whom was it made?
What other disco populations exist out there today? Considering disco’s
appropriation by white-dominated culture.
Disco as history: Disco has outlasted its heyday in the 1970s. What were
its historical roots and what have been (and will be) its futures?
Disco as affect: sweat, strobe, glitter, ecstasy, sex, stamina
Death to disco: How has disco been attacked? Exploring backlash,
homophobia, racism, and rockism
We welcome proposals for conference papers of 20 minutes but also for
pre-formed panels, roundtable discussions, or formats that allow for the
presentation of praxis (installations, lecture performances, for instance).
Please send a 300-word abstract, along with a short biography and
indication of the format of your proposed presentation to:
(disco /at/ sussex.ac.uk) by Monday 19 March 2018.
*Organisers:*
Mimi Haddon (Lecturer in Music, School of Media, Film and Music)
Michael Lawrence (Reader in Film Studies, School of Media, Film and Music)
Arabella Stanger (Lecturer in Drama: Theatre and Performance, School of
English)
---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please
use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at
http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ vub.ac.be)
URL: http://nicocarpentier.net
---------------
[Previous message][Next message][Back to index]