[ecrea] CFP: DISCO! An Interdisciplinary Conference

DISCO! An Interdisciplinary Conference
University of Sussex
21-23 June 2018

www.facebook.com/discosussex <http://www.facebook.com/discosussex>

 From its origins as a New York City subculture amongst gay, black and 
Latino/Latina practitioners, and its transition into the mainstream, to 
its subsequent lives across international scenes, disco poses pivotal 
questions about the entanglements of art, industry, identity, and 
community. Disco is the site of many significant and lasting debates in 
popular culture, including those surrounding the figures of the DJ and 
the diva, the status and significance of dancing bodies, the tension 
between what is authentic and what is synthetic, and the historic 
maligning of society’s others.

This major interdisciplinary international conference aims to examine 
and expand these debates. We therefore invite researchers from a range 
of academic backgrounds to re/consider disco cultures in their shifting 
historic and social contexts. We hope to explore disco as a tentacular 
phenomenon that reaches across multiple sites of production and 
consumption, from music and dance to fashion and film.

Keynote Presentations by:
Melissa Blanco Borelli (Royal Holloway, University of London)
Tim Lawrence (University of East London).


Potential points of entry:

Disco as interdiscipline: music, dance, film, fashion, culture, fandom

Disco as place: Disco reaches beyond its NYC origins. How has disco 
travelled? What are its different geographic and cultural contexts?

Disco as space: What kinds of spaces are explored by disco - its 
dancefloors, its clubs, its streets, its towns?

Disco as identity: Disco’s queerness, disco’s blackness, disco’s 
Latino/a-ness, disco’s women. Who made disco and for whom was it made? 
What other disco populations exist out there today? Considering disco’s 
appropriation by white-dominated culture.

Disco as history: Disco has outlasted its heyday in the 1970s. What were 
its historical roots and what have been (and will be) its futures?

Disco as affect: sweat, strobe, glitter, ecstasy, sex, stamina

Death to disco: How has disco been attacked? Exploring backlash, 
homophobia, racism, and rockism

We welcome proposals for conference papers of 20 minutes but also for 
pre-formed panels, roundtable discussions, or formats that allow for the 
presentation of praxis (installations, lecture performances, for instance).

Please send a 300-word abstract, along with a short biography and 
indication of the format of your proposed presentation to: 
(disco /at/ sussex.ac.uk) by Friday 2 March 2018.

Organisers:
Mimi Haddon (Lecturer in Music, School of Media, Film and Music)
Michael Lawrence (Reader in Film Studies, School of Media, Film and Music)
Arabella Stanger (Lecturer in Drama: Theatre and Performance, School of 
English)

*Michael Lawrence <http://www.sussex.ac.uk/profiles/128070>*
Reader in Film Studies, School of Media, Film and Music, University of 
Sussex


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