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[ecrea] One-day conference on social media images - 20 June
Mon Jun 06 18:47:47 GMT 2016
*//////PICTURING THE SOCIAL CONFERENCE//////*
*/A one-day conference exploring contemporary image sharing on social
media & online visual cultures, which aims to create productive dialogue/*
*Monday, 20 June 2016*
Grand Hall, Whitworth Art Gallery
<http://www.whitworth.manchester.ac.uk/>, Manchester
*10:00 – 17:00*
In recent years individuals, groups of people, and organisations have
become more reliant upon visual images and practices of visualisation as
means of understanding and communicating about the world. The wide use
of camera phones in combination with the on-going rise of social media
platforms, catering to easy image sharing, has resulted in everyday
image production and sharing on an unprecedented scale. Most recently,
Mary Meeker’s 2016 Internet Trends report highlights that younger users
increasingly prefer to communicate via images, and more broadly, that
daily photo sharing across Snapchat, Facebook (including Messenger),
Instagram and WhatsApp now exceed 3 billion shares /every day/ (which is
up from 1.8 billion in 2014, a figure frequently cited). These
activities are increasingly attracting academic interest.
Businesses and government bodies now treat images shared on the Internet
as a valuable form of data that can be used to inform commercial
decision-making and help develop policy. In addition to this, verbal and
numeric forms of data are increasingly presented through data
visualisations that are intended to provide synoptic views of the
available information. These developments have increasingly have
attracted important, timely and wide-ranging critique, including from
academia. These developments also point to the contemporary existence of
what W.J.T. Mitchell has recently called ‘Iconomania’, a term that
refers to an intense desire to see and understand the world through
images and visual displays. This notion is useful and widely applicable
whether one considers governmental, military, and corporate
surveillance, or forms of citizen witnessing, journalism as well as
counter-surveillance utilising digital cameras to document the actions
of the powerful.
In response to these complex developments, this one-day conference seeks
to create dialogue between different areas of research and practice
relevant to the use of images on social media and to the wider visual
web. To do this, the conference brings together prominent academic
researchers from Visual Culture, Internet Studies, and Media Studies
with industry-based researchers and practitioners from the areas of
Social Data, Data Visualisation, Journalism and Data Analytics to
explore crucial issues relevant to contemporary digital visual cultures.
The conference seeks to demonstrate the breadth and richness of research
and practice in these areas as well as to raise pressing questions that
relate to how images and visualisations are used within different
aspects of contemporary social, cultural, economic, and political life.
This will be done with a concern to see how approaches from different
sectors of research and practice might potentially productively inform
each other.
The conference has been organised by the *Visual Social Media Lab*
<http://visualsocialmedialab.org/> (based at The University of
Sheffield). The VSML develops new interdisciplinary methods and
analytical approaches for the study of online visual culture by bringing
together expertise from a range of academic disciplines as well as
industry. This VSML team involves academics and industry researchers
from The University of Sheffield, Manchester School of Art (MMU),
University of Wolverhampton, Royal Holloway, University of London, and
Pulsar.
*Attendance at the conference costs £20(only!). Please register **here*
<http://buyonline.mmu.ac.uk/browse/extra_info.asp?compid=1&modid=1&deptid=8&catid=31&prodid=2552>
*
*
*/////SCHEDULE/////*
*9.30-10.00* Registration
*10.00-10.15* Welcome and Introduction
Farida Vis <http://visualsocialmedialab.org/core-team/farida-vis>
(Visual Social Media Lab/University of Sheffield)
*10.15-11.00* Talk 1: Language of the Eye: How Computer Vision is
Remaking Social Media
Susan Etlinger
<http://www.altimetergroup.com/about-us/our-company/our-team/susan-etlinger/>
(Altimeter Group, A Prophet Company)
Images have the power to capture emotion and call people to action in a
way that words often cannot. They can frequently be interpreted and
understood without need for translation. They can spark trends and
movements overnight, as we have seen with everything Black Lives Matter
to Star Wars memes. But there is another factor at play. Social and
mobile media have fueled an explosion of images on the Internet, whether
in the form of photos, emoji, GIFs or video. According to a recent
report, people share and upload 1.8 billion photos daily. This is both
exciting and terrifying for industry, because approximately 80 percent
of images that include a brand logo do not refer to the brand directly,
which means that organizations are flying blind when it comes to
detecting the content and context of images, and acting on the
opportunities or risks they may present.
Today, organizations from start-ups to industry goliaths such as
Facebook and Google are working on technologies that analyze the content
of a photo. Increasingly, they’re also applying artificial intelligence
to understand the context, manage brand reputation, detect opportunities
and threats, better understand customer attitudes and behaviors, and
identify product and service opportunities. Yet while the image
recognition market is expected to increase at a 19.1% combined annual
growth rate by 2020, it is still a nascent technology.
This talk will lay out the context of the growing image recognition
market, outline use cases and challenges of image recognition technology
for industry, discuss the social and ethical concerns presented by the
increasing use of images for organizations that wish to better
understand not only what people say about them, but what they see.
/Chair: Farida Vis/
*11.00-11.15* Break
*11.15-1.00* Panel 1: Qualitative approaches to social media images
This panel explores a range of qualitative approaches to and
interpretations of the use of images on social media, via a number of
different case studies, including: the sharing practices of the Alan
Kurdi image in September 2015, the way in which different groups in
Sheffield use Instagram, Twitter and Facebook to ‘image’ Sheffield, and
a recent case study from France, to encourage women to wear the hijab
for a day to combat the rise of Islamophobia.
*Speakers*
Lin Prøitz <http://visualsocialmedialab.org/core-team/lin-pr%C3%B8itz>
(Visual Social Media Lab/University of Sheffield)
Anne Burns <http://visualsocialmedialab.org/core-team/anne-burns>
(Visual Social Media Lab/University of Sheffield)
Katharina Lobinger
<http://www.ipkm.uni-bremen.de/en/members/academic-staff/detail/lobinger-1.html>
(University of Bremen)
Fatima Aziz <http://imagec.hypotheses.org/> (EHESS, Paris)
/Chair: Ray Drainville (Visual Social Media Lab/MMU)/
*1.00-2.00* Lunch
*2.00-3.45* Panel 2: Social media images, politics, and protest
This panel addresses relationships between images on social media and
political practices and identities, focusing examples on the use of
social media images for the purposes of policy-making, journalism,
activism and protest. Two cases discussed will include the use of
Facebook for political purposes by Palestinian photographers and
journalists and the May 1st demonstrations in Milan in 2015.
*Speakers*
Simon Faulkner <http://www.art.mmu.ac.uk/profile/sfaulkner> (Visual
Social Media Lab/MMU)
Paolo Gerbaudo <http://www.tweetsandthestreets.org/> (King’s College London)
Matteo Azzi <http://www.densitydesign.org/person/matteo-azzi/> and
Gabriele Colombo <http://www.densitydesign.org/person/gabriele-colombo/>
(DensityDesign/Politecnico di Milano)
Rebecca Moody
<http://www.eur.nl/erasmusstudio/people/current_members/moody/> (Erasmus
University, Rotterdam)
/Chair: Jim Aulich (Visual Social Media Lab/MMU)/
*3.45-4.00* Break
*4.00-4.45* Talk 2: ‘Diversity on the Internet: A Goat Thing’
An Xiao Mina <https://about.me/anxiaostudio> (Meedan)
“Kittens,” said Tim Berners-Lee, when asked on Reddit what he never
thought the internet would be used for. And yet cats themselves are
culturally situated, reflective of those who have historically been the
internet’s primary users: middle class Westerners. As the internet’s
global population diversifies, cats’ presumed dominance deserves a
second look.
Over the past year, I led research on a world map of animal memes shown
at “How Cats Took Over the Internet,” an exhibition at the Museum of the
Moving Image. Reflecting the collective work of over a dozen internet
scholars and researchers, the map looks at animal memes in different
regions, with a special focus on the global south. What’s revealed is a
diverse meme-nagerie, including llamas in Mexico, donkeys in Tajikistan
and—perhaps most revealingly—a global trend toward goats.
In this talk, I will take a brief look at cat media online vis a vis the
history of internet users and global connectivity. Discussing the map, I
will argue that new meme cultures reflect a profound shift in internet
population, as connected users reflect a wider range of lifestyles.
/Chair: Olga Goriunova (Visual Social Media Lab/Royal Holloway)/
*4.45-5.00* Closing Remarks – Farida Vis (followed by a
*reception* at 17:15)
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