[ecrea] CFP: Dates confirmed extended deadline"PUNK NOW!!"

*********** CALL FOR PAPERS: Punk NOW!! *********

*29^th - 30^th October 2015 *

*Birmingham City University*

*DEADLINE EXTENDED TO 31^st JULY 2015 *

*
*

*CONFIRMED KEY NOTE SPEAKERS:***

*Dr Alistair Gordon (De Montfort University)
Dr Pete Dale (Manchester Metropolitan University)*

Following the dynamic emergence of punk in the UK, USA and Europe in the
1970s, the subculture spread widely. As punk and new wave gained
commercial and critical success, together with an attractive notoriety,
it soon began an ongoing journey around the globe – both as a product
and as an ideology.Punk, then, despite its omnipresence in contemporary
underground and popular cultures, is clearly more than legacy music.
More than forty years after the proto-punk progenitors of Detroit and
New York unconsciously launched an underground revolution, to continue
what some of the 60’s and 70’s anarchic counter culture propagated, and
after untold premature obituaries, it appears that punk – in terms of
music, philosophy, and identity – remains in rude health.

Punk scenes continue to thrive as far afield as Russia, South America,
India, Pakistan, China, Japan, Eastern Europe, Africa, the Middle East
and Indonesia – 2011 saw the first official record release from a Saudi
Arabian punk band, Sound of Ruby, while other scenes have established
their mark in Madagascar, Algeria, Uzbekistan, Kyrgyzstan, even Tibet
and the Himalayas. Meanwhile, nearer to home, an underground punk scene
never actually went away and continues to ‘mutate and survive’– ranging
from the continued support for longstanding bands and scenes, to the
network of emerging small-scale gigs, fanzines, music distribution,
(sub)cultural and politicalactivities of a truly cross-generational
subculture.

This*joint conference and postgraduate symposium* seeks to illuminate
the current landscape of*_contemporary_ *punk in all of its global,
musical, political and (sub)cultural manifestations. Suggested topics
include (but are not limited to)

·International/national contemporary punk scenes and networks

·Contemporary punk and politics

·Contemporary punk and gender

·Subcultural scenes, tribes and neo-tribes informed/influenced by punk

·Contemporary punk identity

·The Design and Aesthetics of Contemporary Punk

·Contemporary punk fanzines and digital publishing

·Ageing in a contemporary punk scene

·The old and the new; inter/intra generational scenes, retro scenes,
controversy and tensions.

·Fan practices in contemporary punk;

·Contemporary punk as resistance

·Contemporary punk music: Musicology, performance, new genres and
hybridization

·Punk commodities and consumerism: From the role of the boutique to the
online punk distro

·Contemporary punk and digital media; digital production, distribution
and consumption. DiY media, YouTube, social media.

·Punk for Sale: New genres and hybrid musical developments in punk
musical aesthetics

The programme will consist of a number of thematically grouped panels
for *academics and postgraduates*.  By creating a dual purpose to the
conference the Punk Scholars Network aims to bring together established
academics and the next generation of punk scholars in a supportive and
colloquial environment, which we hope will encourage networking
opportunities, ideas exchange and potential future research collaborations.

Post graduates and graduates can present work-in-progress papers on
their PhD thesis, Master’s dissertation or graduate dissertation.

*Alongside the conference there will be an art exhibition exploring the
visual identity of punk rock past and present and live music from
Birmingham’s resilient punk scene.*

Each paper should last 20 minutes and proposals should be submitted in
the form of an abstract of c.250 words. All proposal submissions should
also include:

§Full title of the paper

§Full name, contact details and institutional affiliation

§Any requirements (projector, CD/DVD player, OHP, etc)

§Your academic status-post graduate/graduate or ‘established’ academic
(this is for the purpose of panel allocation)

*Deadline for receipt of proposals/abstracts is 31^st July 2015*

Proposals should be sent as e-mail attachments to *(matt.grimes /at/ bcu.ac.uk) *

The conference programme will be announced in September 2015.

*It is intended that a book of conference proceedings will published.*


*
*
*Matt Grimes*
Senior Lecturer in Music Industries and Radio
Degree Leader Music Industries

//

*/Birmingham School of Media/*
/Birmingham City University/

/Room MP 346
The Parkside Building/
/5 Cardigan Street/
/Birmingham/
/B4 7BD/


/e: //(matt.grimes /at/ bcu.ac.uk)/ <mailto:(matt.grimes /at/ bcu.ac.uk)>

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