[ecrea] CFP : Gender, film and media

CFP Journal/Gender in series: cinema, television and the media/

Authors can submit anytime they want:

- A proposal for a special issue that would include a call for papers, a
list of potential contributors and a presentation of the stakes and
perspectives.

- A book review (research monograph or edited volume).

- An article dealing with cultural, intercultural or interdisciplinary
approaches of cinema, television and media in the fields of art,
humanities and cultural studies.

Every article, in English or French, will be peer-reviewed anonymously.
We may ask the authors to amend, rewrite or correct their papers.

If you provide visuals, they must be copyright-free.

Articles should range approximately between 25.000 and 45.000
characters, including references and bibliography. Book reviews should
range approximately between 6.000 and 10.000 characters.

Articles, book reviews and special issues can be sent anytime to:

Laetitia Biscarrat : (laetitiabiscarrat /at/ hotmail.com)

Gwénaëlle Le Gras : (gwenlegras /at/ wanadoo.fr)

*Presentation of the Journal*

/Gender in series: cinema, television and the media/ is an online
Scientific Journal based on both an international scientific committee
and a double-blind peer review policy. It is sustained by the French
Maison des Sciences de l’Homme d’Aquitaine and it focuses on gender in
media cultures. Gender Studies were born in the UK in the 1950s and
1960s. They developed extensively in the USA and the English-speaking
world. They contributed to the renewal of approaches and corpuses. The
Journal Gender in series: cinema, television and the media can be
considered as a pioneer in the French context as it articulates Gender
and Media Studies. The Journal’s goals can be encapsulated into two key
points. First, it contributes to the late appropriation by the French
Media and Film Studies’ fields of theories and methods. Secondly, the
increasing importance of the media in social life, as a specific
resource for the making of identities and gender relationships, entails
us to analyze collectively the power relationships, social structures
and norms at work in media cultures.

Issues are released on a semi-annual basis. They provide articles to a
large academic public (students, teachers and researchers), hence
facilitating the spreading and teaching of these approaches in the
French-speaking world.

To find out more : http://genreenseries.weebly.com/


*Honorary Patron*: Geneviève Sellier

*Scientific Committee:*

Ien Ang, Director of the Institute for Culture and Society, University
of Western Sydney, Australia

Marie-Joseph Bertini, Professor of Media Studies, LIRCES, Université de
Nice Sophia-Antipolis

Pierre Beylot, Professor of Film and Media Studies, MICA, Université
Bordeaux Montaigne

Noël Burch, Professor Emeritus of Film Studies, Université de Lille 3

Sabine Chalvon-Demersay, Sociologist, Research Director EHESS-CNRS, CEMS

Marlène Coulomb-Gully, Professor of Media Studies, LERASS, Université
Toulouse-Mirail

Béatrice Damian-Gaillard, Associate Professor in Media Studies, CRAPE,
Université de Rennes 1

Teresa De Lauretis, Distinguished Professor Emerita, University of
California, Santa Cruz

Jean-Pierre Esquenazi, Professor of Media Studies, ERSICOM, Université
Lyon 3

Laurent Jullier, Professor of Film Studies, IRCAV/IECA, Université de
Lorraine

Ann Kaplan, Distinguished Professor of English and Cultural Analysis and
Theory at Stony Brook University, New York

Éric Macé, Professor of Sociology, Centre Émile Durkheim, Université de
Bordeaux

Éric Maigret, Professor of Sociology, CIM, Université Paris 3

Cécile Méadel, Professor of Sociology, CSI, École des Mines - Paris Tech

Tania Modleski, Professor of English, University of Southern California

Raphaëlle Moine, Professor of Film Studies, IRCAV, Université Paris 3

Laura Mulvey, Professor of Film and Media Studies, Birkbeck College,
University of London

Dominique Pasquier, Sociologist, Research Director EHESS-CNRS, CEMS

Geoffroy Patriarche, Associate Professor at Saint-Louis University, Brussels

Hilary Radner, Professor Department of History and Art History,
University of Otago

Geneviève Sellier, Professor of Film and Media Studies, MICA, Université
Bordeaux Montaigne

Sarah Sepulchre, Associate Professor in Media Studies, SSH/ILC,
Université Catholique de Louvain

Edward Turk, Professor Emeritus of French and Film Studies, MIT

Ginette Vincendeau, Professor of Film Studies, King's College,
University of London




Best regards,



Laetitia Biscarrat

PhD in Media Studies

Lecturer in Communication and Media Studies, University of Saint-Etienne




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