[ecrea] CFP: Audiences and their musics: new approaches

CALL FOR PAPERS

Special issue of Networking Knowledge: Journal of the MeCCSA-PGN

Audiences and their musics: new approaches

There is a certain imbalance in the way we analyse sound, compared to 
the way we research images. Listening feels somehow more passive than 
watching or reading. Even in academic writing, we operate with phrases 
that accentuate this visual bias, such as ‘as we can see’ or ‘to shed 
light’. This imbalance is especially striking when considering modes of 
engagement with music media. While a body of audience research has been 
able to make connections to reception and literary studies (arguing that 
the interpretative work of the viewer mediates the reproduction of 
textual meanings), modes of listening, on the other hand, have been 
traditionally confined to the domains of semantics, musicology and sound 
studies.


As a result, dichotomies of music-listening experiences have been 
imagined: ‘deep’ versus ‘superficial’, ‘conscious’ versus ‘background’, 
‘everyday’ versus ‘special’, ‘motivated by aesthetic pleasure’ versus 
‘motivated by goal achievement’. These modes have not only been treated 
as mutually exclusive, but also as indicative of music, genre and 
individual characteristics of the listener, thus being rarely understood 
to exist simultaneously or to influence each other. On the other hand, 
even acknowledging that music is accompanied by a plethora of other 
stimuli, analysing these engagements in detail remains vital, as 
empirical data suggests that audiences consciously switch between modes, 
and identify them as such. As recent studies suggest, placing the media 
experience within the rich context of everyday life does not preclude 
multimodality; on the contrary – it allows us to make important 
connections between media, the personal and the social.

This special issue will seek contributions that critically engage with 
the shift from formalist approaches to music to a model encompassing the 
experiences of listeners. Postgraduate students and early career 
researchers across the social sciences and humanities are invited to 
submit. We are especially looking for original, empirical work that 
tests and challenges existing theorisations of listening modes, and/or 
proposes new conceptualisations.

Abstracts should be no more than 250 words for papers of approx. 6,000 
words. Accepted papers will be published in a special guest-edited issue 
of Networking Knowledge: Journal of the MeCCSA-PGN.

Possible topics might include but are not limited to:

-          Music in everyday life: what does it mean?

-          Un/changing listener experiences in the digital age

-          New practices of music participation

-          Music and generations; music and class

-          Taste and preferences: still relevant?

-          The genre in listening

-          Western and non-western music audiences.

Abstracts should be sent to the guest editor Rafal Zaborowski at 
(r.zaborowski /at/ lse.ac.uk) by 8 December 2014. For enquiries please contact 
Rafal or the journal general editor Simon Dawes at (simondawes0 /at/ gmail.com)




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