Archive for calls, March 2012

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[ecrea] CFP - Flashbacks - Nostalgic Media and mediated forms of nostalgia - international conference - University of Geneva

Wed Mar 07 16:26:29 GMT 2012



Call for papers - International conference

Flashbacks - Nostalgic Media and mediated forms of nostalgia

13-14 September 2012

Institute of Communication, Media and Journalism studies

University of Geneva - Faculty of Economic and Social Sciences - Department of Sociology


Deadline for proposals: May 6, 2012

Send abstracts of max. 500 words, bibliography and biographical statement to:

(flashbacks2012 /at/ gmail.com) <mailto:(flashbacks2012 /at/ gmail.com)>

Confirmed speakers: Prof. Daniel Dayan, Prof. Ute Holl, Prof. Andrew Hoskins


Media are time machines. They remember and forget. Media screen and record parts of memory and history as well as they maintain collective memories and contribute to historical narratives by (re)shaping events, happenings or other incidents. Media also tend to remind their own past by re-using archive-images in the present, for example. In this sense, media seem to be nostalgic of the past as well as of their own one. Nostalgia as a concept, feeling or expression is not new. The notion has been introduced by a doctor in Switzerland (17th century) to describe the phenomenon of homesickness. Related to nostalgia is also the idea of melancholia or yearning. These days, there seems to be a BOOM of nostalgia: The Artist (revival of the silent film) or television series like Mad Men - exploring aesthetics and social life of the sixties – are examples of what we could name nostalgic media (makers). Digital photography on cell phones gets a polaroid-touch; the retro design becomes digitized. Advertising for watches or cars is linked to nostalgic forms of family tradition. Fans of the fifties organise parties and fashion events to feel like being part of the past in the present. Being nostalgic and remembering pieces of the past also includes forgetting. What kind of memories are discriminated? Can media really be nostalgic? Which specific forms of nostalgia appear in contemporary society and why? Can people be nostalgic if they did not experience the past they pretend being nostalgic of? What kind of politics of nostalgia exist? What is the impact of nostalgia on the media market and its influence on economy? Finally, given the arbitrary (?) use of the past in all its imaginable variations and cultural systems, is it still possible to use the word nostalgia or should there be a neologism describing the transformation of the past in(to) the digital era? Could it even be possible to be simply nostalgic of nostalgia; finally describing the eternal research for (lost) identity?


This international conference aims to explore nostalgia as a (mass) media phenomena and also seeks for contributions that treat any other mediated forms of nostalgia.


Topics may include, but will not be limited to, the following:

/nostalgia and (mass)media/

publics, web- and fan-communities

audiovisual narratives, screening, recording

seriality, flashbacks and temporality

news, journalism, (printed) press

broadcast revivals, archive discoveries

political past, political systems, (n)ostalgia, institutions

special nostalgic broadcast (home country, culinary traditions etc.)

photography, comics, video games and new technologies


/mediated forms of nostalgia /

architecture, (product)-design and fashion

psychological aspects and history of nostalgia

migration, home-comers, homesickness

geographical maps, tourist attractions and villages

folklore, traditions, regional nostalgia

museums, exhibitions and contemporary art

flea markets, vintage stores and fairs, parties, concerts


/economy, marketing and nostalgia /

Vintage-retro branding

retro-design (cars, watches, furniture)

advertising, marketing and luxury products

music and arts business


/theories and methodologies /

nostalgic media studies and critical approaches

the come-back of philosophers and thinkers “of the past” in

science, arts and other research domains


Deadline for proposals: May 6, 2012

Send abstracts of max. 500 words, bibliography and biographical statement to:

(flashbacks2012 /at/ gmail.com) <mailto:(flashbacks2012 /at/ gmail.com)>


Participants will have to cover their own travel and accommodation expenses. Travel information as well as a list of affordable hotels and other accommodations will be posted on the conference-website in June.

Participation fees will be announced but will not exceed 100 CHF (and less for students).

For any other inquiries feel free to contact Katharina Niemeyer ((Katharina.Niemeyer /at/ unige.ch) <mailto:(Katharina.Niemeyer /at/ unige.ch)> / (katharinaniemeyer /at/ gmail.com) <mailto:(katharinaniemeyer /at/ gmail.com)>).



--
Katharina Niemeyer
Université de Genève/ Département de sociologie
Institut des sciences de la communication, des médias et du journalisme
40 Boulevard du Pont-d'Arve
1211 Genève 4
Mail: (Katharina.Niemeyer /at/ unige.ch) <mailto:(Katharina.Niemeyer /at/ unige.ch)>
Tél.: ++41 22 379 8196 <tel:%2B%2B41%2022%20379%208196>
http://www.isc.unige.ch/ <http://www.unige.ch/ses/socio/communication>



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