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[ecrea] Short Film Experience - ECREA PhilCom Conference
Fri Jan 31 04:15:21 GMT 2014
Short Film Experience -- ECREA PhilCom Conference
May 2nd 2014, Leiden (Abstracts due: 25/04/2014)
Since the advent and standardization of the theatrical feature length
film, the audiovisual short has been more or less marginalized in the
discussions on cinematic experience. Historically stretching from the
"early cinema" of the vaudeville to the "little films" of youtube and
beyond, the audiovisual short traverses a wide variety of media
platforms, practices, and technologies, including animation, video and
installation art, gallery films, short film (festival)s, video clips and
TV commercials, as well as mash-ups, machinima, self-made movies, made
to measure for handheld devices, and open air video mapping, a
skyrocketing trend in audiovisual communication. The widespread usage of
the format suggests that the audiovisual short is not an anomaly or
rarity at the periphery of cinema, but rather should be put at the
centre of our discussions when rethinking cinematic experience and the
moving image today. Transgressing the boundaries between media forms and
practices while nonetheless paying tribute to their specificity, the
audiovisual short challenges the borders of the disciplines that study
them, urging us to confront questions concerning the conditions of
moving image reception, and the time/space/identity configurations that
lay at the heart of cinematic experience (from a necessarily
interdisciplinary and cross medial perspective).
This intensive one-day conference invites participants to reflect on how
the audiovisual short -- as both a media archeological object, as well
as a theoretic object -- can help us further our understanding of the
moving image and cinematic today. How can the audiovisual short broaden
our understanding of moving image experience today? What does a "short
film experience" entail in terms of aesthetics, technology,
communication and/or time/space/identity formation? What can we learn
from both the aforementioned multifariousness of the conditions of
production, distribution and reception, as well as from the singular
examples that determine the audiovisual short's (nonspecific) identity?
And why is this important? We welcome papers from participants working
within the field of (but not limited to) philosophy of communication,
film philosophy, media theory, television and digital media, game
studies, art history, culture and technology, and human geography,
providing that the paper is theoretically firmly grounded and addresses
the topic of "short film experience."
This conference is hosted by the 6th edition of LISFE (Leiden
International Short Film Experience), to take place in Leiden on May 1st
to 3rd 2014. It is organized in collaboration with LUCAS (Leiden
University Centre for the Arts in Society, Leiden University), and
affiliated to the section Philosophy of Communication and the Young
Scholars Network of ECREA (European Communication Research and Education
Association). Participating papers will be eligible for publication in a
special edition of 'Empedocles: Journal for the Philosophy of
Communication' devoted to short film experience.
Candidates are invited to submit a proposal (max. 300 words) with a
short biography (max. 150 words) to (c.m.roos.munoz /at/ umail.leidenuniv.nl)
<mailto:(c.m.roos.munoz /at/ umail.leidenuniv.nl)>. The deadline for
submissions is 21 March 2014. Those selected to participate will be
asked to provide a 3000-word paper (excluding bibliography) by 15 April
2014 at the latest, which will be distributed among other participants
in advance of the conference. In order to allow for a sufficient amount
of discussion time, papers will not be read. Instead, participants will
be asked to provide a short pitch of their argument for a maximum of 10
minutes. Respondents will be assigned to each paper. The conference
language is English.
Organising Committee: Dr. Pepita Hesselberth (LUCAS, Leiden University);
Carlos Miguel Roos, MA (Ghent University, Leiden University).
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