[Commlist] Journal of Sonic Studies – New issue published

*/Journal of Sonic Studies /**– New issue online*

/Journal of Sonic Studies /26 – General issue 
<https://www.researchcatalogue.net/view/558606/558686>

We are happy to present to you JSS26, a special issue with six 
contributions that offer the essential work and approaches of, or issues 
that are near and dear to, the ten authors who have submitted their 
papers to us outside of a thematic call. In celebration of the diversity 
of such a non-themed issue, we give you an overview of the themes 
presented in the following brief descriptions:
The concept of */imaginery media/* is thought through by Andreas Helles 
Pedersen, using the case study of DR DJ, an unapproved proposal for 
music discovery that – it is proposed – has expanded the historical 
imagination of the digital music platform //Diskotekt/.
The noise trio SHLUK – Sara Pinheiro, Jiří Rouš and Petr Zábrodský – 
take us on a journey investigating the *relationship between noise and 
pollution*, a journey in which the sounds of “noisy” and “quiet” places 
in Prague intertwine with theory and lead to the performance /Hladiny./
Patryk Wasiak opens our ears to a *fascinating time in state socialist 
Poland of the 1970s*, with a listen into audiophilic discourse at the 
time and how that was part of a boom of High-Fidelity audio electronics 
manufacturing and nationwide modernization.
Marie Koldkjær Højlund, Anette Vandsø, and Morten Breinbjerg turn toward 
/sensory citizenship/ in Denmark during the complete lockdown of March 
2020, explicitly exploring how the */attuning approach/ of sonic 
citizenship* might add to the framework for soundscape research.
Henrik Frisk takes his long-time work with “creative” machines, 
developed in the artistic research project Goodbye Intuition, and 
addresses the *questions this research has brought up through the 
practice of intuition* – in the sense that Henri Bergson employs the 
word – explored as a possible method.
Finally, Franziska Schroeder’s audio paper takes us on a *mediated, 
improvisatory, multi-sensory walk* through the streets of Hanoi, 
intertwined with sound memories and reflections upon her ongoing 
engagement with Vietnam and her collaborations with local artists, 
citizens, and researchers.

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