[Commlist] Journal of Screenwriting 12.2 published

Intellect is pleased to announce that Journal of Screenwriting 12.2 is 
out now!


For more information on the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting 
<https://www.intellectbooks.com/journal-of-screenwriting>


Aims and Scope


The Journal of Screenwriting aims to explore the nature of writing for 
the moving image in the broadest sense, highlighting current academic 
thinking around scriptwriting whilst also reflecting on this with a 
truly international perspective and outlook. The journal will encourage 
the investigation of a broad range of possible methodologies and 
approaches to studying the scriptwriting form, in particular: the 
history of the form, contextual analysis, the process of writing for the 
moving image, the relationship of scriptwriting to the production 
process and how the form can be considered in terms of culture and 
society. The journal also aims to encourage research in the field of 
screenwriting, the linking of scriptwriting practice to academic theory, 
and to support and promote conferences and networking events on this 
subject.



Issue 12.2


Editorial 
<https://www.ingentaconnect.com/content/intellect/josc/2021/00000012/00000002/art00001>

CRAIG BATTY


Articles


The not so universal hero’s journey 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00002>

GLENDA HAMBLY


Renegotiating the screenplay: Drawing as a method for narrative 
development in a short film 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00003>

WELBY INGS


Theme orientation and the inevitable outcome of structural flaws: 
Investigating the results of the dominance of theme over action in 
Farhadi’s The Salesman 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00004>

SHAHRYAR SADEQY AND MASOUD NAGHASHZADEH


Screenwriting research in Australia: A truncated (pre)history 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00005>

STEVEN MARAS


Meeting old friends for the first time: A personal reflection on the 
development of the 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00006>

Screenwriting Research Network 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00006>

IAN W. MACDONALD


Art in the ‘big print’: An examination and exercises for cinematic prose 
writing style 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00007>

RUSSELL BRICKEY


Book Reviews


Creating Australian Television Drama: A Screenwriting History, Susan 
Lever (2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00008>

PHILIPPA BURNE


The Modernist Screenplay: Experimental Writing for the Silent Film, 
Alexandra Ksenofontova (2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00009>

LEEANNE LOWRY


Language and Television Series: A Linguistic Approach to TV Dialogue, 
Monika Bednarek (2018) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00010>

XIAOYI YANG AND YUAN PING


Screenwriter: The Life and Times of Nunnally Johnson, Tom Stempel (1980) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000002/art00011>

AUSTIN HOBBS


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