[ecrea] Special Issue of Fashion, Style & Popular Culture 2.2

Intellect is delighted to publish the special issue of Fashion, Style & 
Popular Culture 2.2 on Music & Fashion. This exciting new special issue 
examines and analyses the boundary between fashion, style and music. The 
purpose of this issue is to shed light on the many varieties of music 
genres and their associated styles.

Lowlife: Men’s style and clothing in the Atlanta Punk scene
pp. 175-190(16)
Authors: Speetjens, Maile; F. José, Blanco
The global punk scene’s influence on the Atlanta punk scene during the 
1970s and various venues and clothing pieces present from some of the 
local Punk acts.

>From suits to robes: The use of African inspired apparel as a 
communication tool in the mid-twentieth-century American avant-garde 
jazz community
pp. 191-206(16)
Authors: Cottle, C. Adam; Cottle, Frederick S.; Bell, Thomas W.
This innovative article explores the relationship between the 
Afrocentric fashions worn by some of the jazz musicians in the 
post-Civil Rights era.

Fashioning the fab four: The visual identities of the Beatles
pp. 207-221(15)
Authors: Wilkins, Charlotte; Inglis, Ian
The overall significance of the Beatles’ visual imagery and how the 
group utilised new and existing styles is fully explored in this article.

Erik Satie’s mise-en-scène: Uniforms and the self-image of a composer in 
turn-of-the-century Paris
pp. 223-239(17)
Author: San Martín-Arbide, Lola
Lola San Martin Abide explores the stylistic nuances of French composer 
Erik Satie as he was popularly known for his flamboyant choices in costume.

All black everything: Gothic cloak and swagger in contemporary hip hop
pp. 241-256(16)
Author: Sollee, Kristen
The new trend that is occurring within hip-hop culture of using 
aesthetic elements from traditional gothic subculture is addressed in 
this insightful article.

They have no right to wear those clothes: The ambivalence of the dress 
code of German skinheads and Estonian metal heads
pp. 257-272(16)
Authors: Araste, Lii; Ventsel, Aimar
Through exploring German punks and skinheads and the Estonian metal 
scene, this article analyses how subcultures develop strategies to 
protect and define their collective identity.

If you would like to learn more about the journal please contact 
(eden /at/ intellectbooks.com)


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