[ecrea] Journal of British Cinema and Television / Volume: 6, Number: 3 (Dec 2009)

> The above issue is now available online from Edinburgh University Press
> at: http://www.euppublishing.com/toc/jbctv/6/3?ai=sh&ui=ue&af=T
>
> Register at www.eupjournals.com to receive Table 
> of Contents Alerts when new material in your 
> field of interest is uploaded to the site and to 
> view sample issues and featured articles for free.
>
> Contents
> 'Blue is the Pervading Shade': Re-examining 
> British Film Censorship in the 1970s
> Sian Barber
> Journal of British Cinema and Television, Vol. 6, No. 3: 349-369.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001071?ai=sh&ui=ue&af=T 
>
>
> A Critical Analysis of the Portrayal of 'Race' in It Ain't Half Hot Mum
> David James
> Journal of British Cinema and Television, Vol. 6, No. 3: 370-386.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001083?ai=sh&ui=ue&af=T 
>
>
> The Interface of Documentary and Fiction: The 
> Amber Film Workshop and Regional Documentary Practice
> Jack Newsinger
> Journal of British Cinema and Television, Vol. 6, No. 3: 387-406.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001095?ai=sh&ui=ue&af=T 
>
>
> Radio On and British Art Cinema
> Brian Hoyle
> Journal of British Cinema and Television, Vol. 6, No. 3: 407-423.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001101?ai=sh&ui=ue&af=T 
>
>
> Frozen Soundscapes in Control and Radio On
> Tom Whittaker
> Journal of British Cinema and Television, Vol. 6, No. 3: 424-436.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001113?ai=sh&ui=ue&af=T 
>
>
> Re-evaluating the Archive in Stephen Poliakoff's Shooting the Past
> Christopher Hogg
> Journal of British Cinema and Television, Vol. 6, No. 3: 437-451.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001125?ai=sh&ui=ue&af=T 
>
>
> Shameless and the Question of England: Genre, Class and Nation
> Stephen Baker
> Journal of British Cinema and Television, Vol. 6, No. 3: 452-467.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001137?ai=sh&ui=ue&af=T 
>
>
> Interview
> From Screen to Shelf: Perspectives on Independent Distribution
> Stuart Henderson
> Journal of British Cinema and Television, Vol. 6, No. 3: 468-480.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001149?ai=sh&ui=ue&af=T 
>
>
> Reports: Anglia Television and the History of 
> ITV Cinema City/The Archive Centre, Norwich 14-15 November 2008
> Susan Sydney-Smith
> Journal of British Cinema and Television, Vol. 6, No. 3: 481-484.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001150?ai=sh&ui=ue&af=T 
>
>
> Reports: Researching Cinema History: 
> Perspectives and practices in film 
> historiography Geological Society, Burlington House, Piccadilly, London
> 6-7 July 2009
> Sally Dux
> Journal of British Cinema and Television, Vol. 6, No. 3: 485-488.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001162?ai=sh&ui=ue&af=T 
>
>
> Reports: Social Fears and Moral Panics XXIII 
> IAMHIST Conference, University of Aberystwyth 8-11 July 2009
> Guy Barefoot
> Journal of British Cinema and Television, Vol. 6, No. 3: 489-493.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001174?ai=sh&ui=ue&af=T 
>
>
> Review
> David Curtis, A History of Artists' Film and Video in Britain (London:
> BFI Publishing, 2007), pp. 294. illus., ISBN 978 1 84457 096 6 (pb), £20.
> Joy Payne
> Journal of British Cinema and Television, Vol. 6, No. 3: 494-498.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001186?ai=sh&ui=ue&af=T 
>
>
> Paul Quinn, B Films as a Record of British 
> Working Class Preoccupations in the 1950s: The 
> Historical Importance of a Genre that has 
> Disappeared (Lewiston, NY, and Lampeter: Edwin 
> Mellen Press, 2008), pp. vi + 245, 10 illus., 
> ISBN 978 0 7734 4788 2 (hb), £69.95.
> Laurence Raw
> Journal of British Cinema and Television, Vol. 6, No. 3: 498-500.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001198?ai=sh&ui=ue&af=T 
>
>
> Robert Shail (ed.), Seventies British Cinema 
> (Basingstoke: Palgrave Macmillan for the BFI, 
> 2008), pp.188, ISBN 978 1 84457 273 (pb), £16.99.
> Andrew Spicer
> Journal of British Cinema and Television, Vol. 6, No. 3: 500-503.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001204?ai=sh&ui=ue&af=T 
>
>
> Robert Shail, Stanley Baker: A Life in Film 
> (Cardiff: University of Wales Press, 2008), pp. 
> xiv + 152, 19 illus., ISBN 978 0 7083 2126 3 (hb), £19.99.
> Justin Smith
> Journal of British Cinema and Television, Vol. 6, No. 3: 503-505.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001216?ai=sh&ui=ue&af=T 
>
>
> Richard Attenborough and Diana Hawkins, Entirely Up to You, Darling
> (London: Hutchinson, 2008), pp. 318, illus., ISBN 9780099503040 (pb), PS7.99.
> Sally Dux
> Journal of British Cinema and Television, Vol. 6, No. 3: 505-508.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001228?ai=sh&ui=ue&af=T 
>
>
> Niall Richardson, The Queer Cinema of Derek Jarman (London: I. B.
> Tauris, 2009), pp. ix + 246, 15 illus., ISBN 978 1 84511 537 1 (pb), £15.99.
> Andrew Moor
> Journal of British Cinema and Television, Vol. 6, No. 3: 508-511.
> http://www.euppublishing.com/doi/abs/10.3366/E174345210900123X?ai=sh&ui=ue&af=T 
>
>
> Paul Newland, The Cultural Construction of 
> London's East End: Urban Iconography, Modernity 
> and the Spatialisation of Englishness (Amsterdam 
> and New York: Rodopi, 2008), pp. 321, 14 illus., 
> ISBN 978 90 420 2454 0 (pb), ?65.
> Michael  Riding
> Journal of British Cinema and Television, Vol. 6, No. 3: 512-514.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001241?ai=sh&ui=ue&af=T 
>
>
> Roderick Flynn and Patrick Brereton, Historical 
> Dictionary of Irish Cinema. Historical 
> Dictionaries of Literature and the Arts No. 17 
> (Lanham, MA , Toronto and Plymouth: Scarecrow 
> Press, 2007), pp. xxxiii + 393, ISBN 978 0 8108 5557 1 (hb), $85.
> Anthea Irwin
> Journal of British Cinema and Television, Vol. 6, No. 3: 514-516.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001253?ai=sh&ui=ue&af=T 
>
>
> Sue Vice, Jack Rosenthal (Manchester: Manchester 
> University Press, 2009), pp. xxii + 202, ISBN 987 0 7190 7704 3 (hb), £50.00.
> Peter Waymark
> Journal of British Cinema and Television, Vol. 6, No. 3: 516-518.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001265?ai=sh&ui=ue&af=T 
>
>
> CD Review: Dracula A.D. 1972. Original 
> Soundtrack. Music by Mike Vickers (GDI Records, BSXCD8855)
> David Huckval
> Journal of British Cinema and Television, Vol. 6, No. 3: 519-521.
> http://www.euppublishing.com/doi/abs/10.3366/E1743452109001277?ai=sh&ui=ue&af=T 
>
>
> Best wishes,
>
> Wendy Gardiner
> www.eupjournals.com
>
> Copyright 2009 Edinburgh University Press. All Rights Reserved.

-----------------------------------------------------------------------
Nico Carpentier (Phd)
-----------------------------------------------------------------------
Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
-----------------------------------------------------------------------
European Communication Research and Education Association
Web: http://www.ecrea.eu
----------------------------
E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
-----------------------------------------------------------------------

----------------
ECREA-Mailing list
----------------
This mailing list is a free service from ECREA.
---
To unsubscribe, please visit http://www.ecrea.eu/mailinglist
---
ECREA - European Communication Research and Education Association
Postal address:
ECREA
Université Libre de Bruxelles
c/o Dept. of Information and Communication Sciences
CP123, avenue F.D. Roosevelt 50, b-1050 Bruxelles, Belgium
Email: (info /at/ ecrea.eu)
URL: http://www.ecrea.eu
----------------