[ecrea] Music Sound and the Moving Image, Volume 3, issue 2 coming soon

> Music Sound and the Moving Image
> <http://msmi.lupjournals.org/>http://msmi.lupjournals.org/
>
> is the first international scholarly journal 
> devoted to the study of the interaction between 
> music and sound with the entirety of moving 
> image media ? film, television, music video, 
> advertising, computer games, mixed-media 
> installation, digital art, live cinema, et alia.
>
> Co-edited by Anahid Kassabian (University of 
> Liverpool) and Ian Gardiner (Goldsmiths 
> College), the journal is truly 
> interdisciplinary, inviting contributions across 
> a range of critical methodologies, including 
> musicology and music analysis, film studies, 
> popular music studies, cultural theory, 
> aesthetics, semiotics, sociology, marketing, 
> sound studies, and music psychology.
>
> Coming soon.....
>
> Music, Sound and the Moving Image 3.2 (December 2009)
> Contents
>
> Articles
> Joshua S. Walden
> Leaving Kazimierz: Comedy and realism in the 
> Yiddish film musical Yidl Mitn Fidl
>
> Alexander Fisher
> Med Hondo?s Sarraounia: The musical articulation of cultural transformation
>
> Review Article
> Nicholas Reyland
> Above and Beyond or Betwixt and Between? Review 
> article on ?Beyond the Soundtrack: Representing 
> Music in Cinema? (ed. Daniel Goldmark, Lawrence Kramer and Richard Leppert)
>
> Book Reviews
> Heather Laing, The Gendered Score: Music in 
> 1940s Melodrama and the Woman?s Film
> Review by Jill Halstead
>
> Andrea Garbuglia, La comunicazione multimediale 
> e la musica: Presupposti teorici e proposte analitiche
> Review by Emanuele D?Onofrio
>
> Robynn J. Stilwell and Phil Powrie (editors), Composing for the Screen
> in Germany and the USSR: Cultural Politics and Propaganda
> Review by Richard Taylor
>
> K. J. Donnelly, British Film Music and Film Musicals
> and
> John Mundy, The British Musical Film
> Review by Steve Chibnall
>
> Paul Fryer, The Opera Singer and the Silent Film
> and
> Phil Powrie, Bruce Babington, Ann Davies and 
> Chris Perriam, Carmen on Film; A Cultural History
> Review by Richard Fawkes
>
> Find out more about the journal at 
> <http://msmi.lupjournals.org/>http://msmi.lupjournals.org/
>
> Alternatively 
> <http://www.migrationsandidentities.org/default.aspx?content=Subscriptions>click 
> here to subscribe now
>
>
> CLARE HOOPER
> JOURNALS EXECUTIVE, LIVERPOOL UNIVERSITY PRESS
> 4 Cambridge Street, Liverpool, L69 7ZU, UK Tel. 
> +44-[0]151-794-3135, Fax +44-[0]151-794-2235
> E: 
> <mailto:(clare.hooper /at/ liverpool.ac.uk)>(clare.hooper /at/ liverpool.ac.uk) 
> W: <http://www.liverpool-unipress.co.uk>www.liverpool-unipress.co.uk

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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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European Communication Research and Education Association
Web: http://www.ecrea.eu
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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