<http://msmi.lupjournals.org/>Music, Sound, and the Moving Image
is the first international scholarly journal
devoted to the study of the interaction between
music and sound with the entirety of moving
image media ? film, television, music video,
advertising, computer games, mixed-media
installation, digital art, live cinema, et alia.
Co-edited by Anahid Kassabian (University of
Liverpool) and Ian Gardiner (Goldsmiths
College), the journal is truly
interdisciplinary, inviting contributions across
a range of critical methodologies, including
musicology and music analysis, film studies,
popular music studies, cultural theory,
aesthetics, semiotics, sociology, marketing,
sound studies, and music psychology.
It is hoped that the journal also will provide
an important focus for the similarly diverse and
expanding community of media music scholars. The
journal is published twice a year, and its first
issues were open, embracing this diversity of
topics and approaches. As it progresses it is
intended that themed issues, under a guest
editor, will alternate with open issues, perhaps
encouraging writers to explore areas under-represented in current literature.
The editors welcome contributions offering the
broadest interpretation of the journal?s title,
not only seeking to build upon the existing
scholarship on film music and film sound, but
also to challenge its theoretical assumptions,
and to extend its boundaries to include the full
variety of moving image media and traditions.
Volume 3, Issue 1 (2009) now available...
Special issue: Invention/Re-invention
Guest editor: Miguel Mera
Miguel Mera
Invention/Re-invention
Articles
Guido Heldt
Playing Mozart: Biopics and the musical (re)invention of a composer
Randolph Jordan
The Visible Acousmêtre: Voice, body and space
across the two versions of Donnie Darko
Tony Langlois
Pirates of the Mediterranean: Moroccan music video and technology
Interviews
Miguel Mera
Interview with Nicholas Hooper
Interview with James Hannigan
Book Reviews
Jay Beck and Tony Grajeda (editors), Lowering
the Boom: Critical Studies in Film Sound
Review by David Cooper
Anna Morcom, Hindi Film Songs and the Cinema
Review by Gregory Booth
Jamie Sexton (editor), Music, Sound and
Multimedia: From the Live to the Virtual
Review by James Deaville
Mark Slobin (editor), Global Soundtracks: Worlds of Film Music
Review by Anna Morcom
Lara M. Schwartz, Making Music Videos:
Everything You Need to Know from the Best in the Business
Review by Joey Eschrich
Erkki Pekkilä, David Neumeyer and Richard
Littlefield (editors), Music, Meaning and Media
Review by Alexander Binns
Find out more about the journal at
<http://msmi.lupjournals.org/>http://msmi.lupjournals.org/
Alternatively
<http://www.migrationsandidentities.org/default.aspx?content=Subscriptions>click
here to subscribe now
CLARE HOOPER
JOURNALS EXECUTIVE, LIVERPOOL UNIVERSITY PRESS
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