[ecrea] Critical Arts Issue: Intellectual Property Rights

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>     Critical Arts
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>a south-north journal of cultural and media studies
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>Theme issue on Intellectual Property Rights (see attachment)
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>Critical Arts  publishes original, readable, and 
>theoretically cutting edge articles.  Many 
>articles first published in the Journal have 
>been subsequently reprinted with acknowledgement 
>elsewhere. We are proud of this republishing 
>record, which includes original articles first 
>published in Critical Arts by, eg., JM Coetzee, 
>Nadine Gordimer, and later, Stuart Hall, David 
>Kerr, Ntongela Masilela,  and Handel Kashope Wright, amongst many others.
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>Intellectual Property: global perspectives from the African South  20(1)
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>Eds.  Keyan G Tomaselli, Helge Ronning, Ruth Teer-Tomaselli
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>Introduction: Intellectual Property Rights and 
>the Political Economy of Culture
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>Helge Rønning, Department of Media and Communication, University of Oslo
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>Pradip Thomas, School of Journalism and 
>Communication, University of Queensland
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>Keyan G Tomaselli, Culture, Communication and 
>Media Studies, University of KwaZulu-Natal
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>Ruth Teer-Tomaselli, Culture, communication and 
>Media Studies, University of KwaZulu-Natal
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>Systems of Control and Regulation  Copyright 
>Issues, Digital Divides and Citizens⬬" Rights
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>Helge Rønning, Department of Media and Communication, University of Oslo
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>Principles of copyright in intellectual property law: an overview
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>Tanya Woker, Howard College School of Law, University of KwaZulu-Natal
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>Copyright in the Information Age: The Catch-22 of Digital Technology
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>Tana Pistorius[i], Department of 
><http://www.unisa.ac.za/default.asp?Cmd=ViewContent&ContentID=211>Mercantile 
>Law, University of South Africa
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>Balancing Intellectual Property Rights with 
>Public Obligations in Developing Nations: Lessons from Africa
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>Loretta M. Palmer, Utah Valley State College
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>Communications and Global Intellectual Property 
>Rights: ICTâ¬"s and Development in Africa
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>Sarah Helen Chiumbu, Media Researcher, Zimbabwe
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>The Expropriation of Intellectual Capital and 
>the Political Economy of International Academic Publishing
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>Christopher Merrett, University of KwaZulu-Natal
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>Creators and Customers: copyright issues in the Canadian news media
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>Joyce Smith, School of Journalism, Ryerson University
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>Begging, borrowing, stealing: the context for 
>media plagiarism in 21st century South Africa
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>Ian Glenn, Centre for Film and Media Studies, University of Cape Town
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>Plagiarism, Public Relations and Press Releases: The case of the hidden author
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>Warren Parker, Centre for AIDS Development, Research and Evaluation (CADRE)
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>Oral tradition and Concepts of Ownership in Malawi
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>David Kerr, Professor of Theatre and Media, University of Malawi
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>Copyright, Folklore and Music Piracy in Ghana
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>John Collins, Department of Music, University of Ghana
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>Trafficking Trauma: Intellectual Property Rights 
>and the Political Economy of Traumatic Storytelling
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>Christopher J. Colvin, Department of Anthropology, University of Virginia
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>Postscript
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>Pippa Green
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>Critical Arts publishes the work of established 
>scholars and is also geared to opening spaces 
>for new, young and dynamic authors, whose 
>emerging work is of critical and theoretical 
>significance.  Amongst our authors (and in the 
>book series) are MA and Ph.D. students whose 
>work is often theoretically refreshing, 
>conceptually innovative and critically 
>challenging.  Critical Arts provides a platform 
>for such students who need to find their niche 
>within the research and publishing community.
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>hors only: Critical Arts is accredited with the 
>South African Department of Education.
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>Keyan Tomaselli
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>Editor-in-Chief
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>Critical Arts: A Journal of South-North Cultural Studies
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>c/o Culture, Communication and Media Studies
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>University of KwaZulu-Natal, Durban 4041, South Africa
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>(Ph) +27 (0)31 2602505
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>(Fax) +27 (0)31 2601519
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>(e-mail)  <mailto:(tomasell /at/ ukzn.ac.za)>(tomasell /at/ ukzn.ac.za)
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>http://digital.lib.msu.edu/projects/africanjournals/
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><http://www.tandf.co.uk/journals/authors/rcrcauth.asp>http://www.tandf.co.uk/journals/authors/rcrcauth.asp
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>Critical Arts Home 
>Page: 
><http://ccms.ukzn.ac.za/index.php?option=com_content&task=view&id=151&Itemid=87>http://ccms.ukzn.ac.za/index.php?option=com_content&task=view&id=151&Itemid=87
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>For subscription information please contact:
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>
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>Europe, Taylor and Francis Customer Services, 
>Informa UK Ltd, Sheepen Place, Colchester, Essex CO3 3lP, UK.
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>
>Sub-Saharan Africa including South Africa, UNISA 
>Press, Box 392, Pretoria 0003, South 
>Africa.   <mailto:(Mokgojk /at/ unisa.ac.za)>(Mokgojk /at/ unisa.ac.za)
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>* **************************************************************

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Nico Carpentier (Phd)
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Studies on Media and Culture (CeMeSO)
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.56
F: ++ 32 (0)2-629.36.84
Office: 5B.401a
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