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[Commlist] CFP: Politics of Vulnerability in Contemporary Women’s Writing and Creative Practices (CFP deadline 19 Jan 2022)
Mon Jan 10 13:42:15 GMT 2022
*Centre for the Study of Contemporary Women’s Writing (CCWW)*
*INSTITUTE OF MODERN LANGUAGES RESEARCH*
School of Advanced Study • University of London
*Call for Papers**– still time to submit*
**
*Politics of Vulnerability in Contemporary Women’s Writing and Creative
Practices*
*https://modernlanguages.sas.ac.uk/events/event/25292
<https://modernlanguages.sas.ac.uk/events/event/25292>*
**
*Centre for Contemporary Women’s Writing (CCWW)
<https://modernlanguages.sas.ac.uk/research-centres/centre-study-contemporary-womens-writing>*
Abstracts deadline: *19 January 2022*
Conference dates: *19-20 May 2022, online*
Organisers: *Sandra Daroczi* (University of Bath); *Adina
Stroia* (Newcastle University)
Questions of vulnerability abound in current women-centric literary,
cultural, and social discourse focussing on a broad spectrum of areas
including the body, affects and emotions, sexuality, and health. Within
a current political and critical climate which invites us and even
insists on us revealing and working through our vulnerabilities, this
conference wishes to interrogate the effects that a continuous and
persistent self-excavation has on modes of being and on cultural
production in the contemporary era. Following on from developments such
as the contemporary memoir boom, the increased popularity of the
personal essay, or the interest in body-based performance art, this
conference takes a two-pronged approach: we are not only interested in
exploring notions of vulnerability, but we are also seeking to
interrogate the potentially nefarious logic as well as damaging
discourses subtending a politics of vulnerability. We are thus asking a
series of structuring questions, chief among them: How do you preserve a
self that is continuously on display as being vulnerable? Can the
display of vulnerability through artistic creation become a political
force? When does vulnerability lean into performance? Is female-centric
cultural production at risk of using and abusing notions of vulnerability?
This conference freely interprets ‘writing’ as ‘creation’, and we thus
invite proposals pertaining to the spheres of literature, visual art,
film, philosophy, critical theory and beyond. We also welcome proposals
from activists and practitioners. Proposals are invited for both
individual papers and fully constituted panels. Below, we suggest a
series of themes and questions that could be used as a springboard. The
list is by no means exhaustive, and we invite proposals from themes
outside the ones listed below, belonging to a variety of cultural
backgrounds. If your paper follows one of the themes listed below,
please feel free to indicate this in your abstracts.
*1. Online/offline: translating vulnerability*
At a time when large portions of our lives have been forced to shift
into an online mode and when we are paradoxically both hungry for and
sated by narratives of the self and their displays of vulnerability, a
salient question is imposing itself: How does social media contribute to
our contemporary constructions of vulnerability, be it in the social or
the artistic realm?
*2. Consenting to uncertainty: a vulnerable point of view*
Following on from Katherine Angel’s assertion that ‘desire isn’t always
there to be known. Vulnerability is the state that makes its discovery
possible’, we are keen to explore the thorny notions of consent,
desire, self-knowledge, and uncertainty before and after the #metoo era.
*3. Age vulnerability: a cradle to grave question*
Notions of age vulnerability have been at the centre of our attention
throughout the pandemic across the temporal spectrum. With children,
youth, and the elderly living under the spectre of potential loss (be it
of health, life, opportunities, ‘innocence’, or self-governance), this
particular strand wishes to interrogate the potential hierarchy of
vulnerabilities that questions of age may set in place.
*4. Humour and vulnerability*
This strand aims to explore whether there are limits to using the
vulnerability of the self, whether corporeal, emotional, or
psychological as the focus of humour in media as diverse as stand-up
comedy, cinema and television, art, and literature. If so, what happens
beyond those limits?
*5. Technology: how vulnerable is the human?*
Women’s relations to technologies are fraught with contradictions. We
wish to look at the ways in which literature, visual arts, and critical
discourses may help us make sense of the current and future relations
between the human and the technological. We would furthermore be keen to
explore the ways in which the feminisation of AI and AI-powered devices
could contribute to patriarchal notions of female servitude.
*6. Success and failure*
Taking our cue from recent debates around women’s successes and
failures, pertaining to athletes such as Simone Biles, Naomi Osaka, or
Emma Răducanu, or to authors, such as Sally Rooney, we ask whether being
in a position of success is a more vulnerable venture than ‘failure’, if
these notions can even be considered oppositional. We are particularly
interested in how achieving success may lead to pressure to replicate
the effect and the ways in which this can influence the creative process.
Please send a 250-300 words abstract for papers (15-20 minutes) as well
as a short author bio to both organisers, *(adina.stroia /at/ ncl.ac.uk)
<https://modernlanguages.sas.ac.uk/events/event/(adina.stroia /at/ ncl.ac.uk)>* and
*(s.daroczi /at/ bath.ac.uk)
<https://modernlanguages.sas.ac.uk/events/event/(s.daroczi /at/ bath.ac.uk)>* by *Wednesday,
19th of January 2022*. If you would like to submit a full panel, please
add to the above a reasoning of approx. 150 – 200 words.
*Centre for the Study of Contemporary Women’s Writing (CCWW)*
*INSTITUTE OF MODERN LANGUAGES RESEARCH*
School of Advanced Study • University of London
Room 239 | Senate House | Malet Street | London WC1E 7HU | UK
http://modernlanguages.sas.ac.uk <http://modernlanguages.sas.ac.uk/> |
(modernlanguages /at/ sas.ac.uk) <mailto:(modernlanguages /at/ sas.ac.uk)>
/The School of Advanced Study at the University of London is the UK's
national centre for the facilitation and promotion of research in the
humanities and social sciences./
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