[Commlist] CFP - From Cinema Culture to Cinema Memory

A reminder about the upcoming deadline for our Call for Papers. Details 
below:

The Cinema Memory and the Digital Archive project is delighted to 
announce the following Call for Papers, which can also be downloaded as 
a Word document here 
<https://www.lancaster.ac.uk/fass/projects/cmda/wp-content/uploads/2021/08/From-Cinema-Culture-to-Cinema-Memory-CFP-2.docx>.

*‘From Cinema Culture to Cinema Memory’*

*6 - 9 April, 2022 *

*Lancaster University, UK*

**

*CFP deadline: 30 November, 2021*

**

*Keynote Speakers:*

Professor Annette Kuhn (Queen Mary University of London)

Professor Daniela Treveri Gennari (Oxford Brookes University)

‘From Cinema Culture to Cinema Memory’ is a three-day conference that 
invites speakers to discuss a range of themes relating to cinema culture 
and cinema memory from around the world. The conference will mark the 
climax of a 3-year AHRC-funded project, ‘Cinema Memory and the Digital 
Archive: 1930s Britain and Beyond’ (CMDA). The project gathers together 
a range of material relating to cinema memory in a comprehensive digital 
archive, a vast amount of which has been made available to view freely 
online for the first time. Information on this project can be found 
here: www.lancs.ac.uk/cmda <http://www.lancs.ac.uk/cmda>. The 
relationship between cinema culture and cinema memory is explored in 
‘From Cinema Culture to Cinema Memory: a Conceptual and Methodological 
trajectory’ (Kuhn, upcoming)

Key themes to explored at the conference are:

• What is cinema memory?

• Globalised contexts of cinema culture and cinema memory.

• In what ways can memory studies contribute to film studies?

• What methodologies are there for researching cinema memory?

• What is the relationship between audience research and cinema memory?

• What aspects of cinema culture are related to cinema memory?

• What is the place of the film text within cinema memory studies?

• To what extent can creative outputs benefit the study of cinema memory?

• What is the relationship between cinema history and cinema memory?

• What options are there for storing material relating to cinema memory?

• How do archives assist in projects related to cinema memory?

• Gender, race, class, sexuality and cinema memory

• Space, place, and cinema memory

The conference seeks above all to reflect the spirit of CMDA’s remit to 
revisit and re-assess archival and primary source materials collected as 
part of the pioneering ESRC funded project, ‘Cinema Culture in 1930s 
Britain’ (1994-97). That project and its methods, approaches and outputs 
were formative influences on the creation of what we now consider to be 
the New Cinema History, with CMDA now drawing influence from the 
outputs, project and methods that have been carried out under the banner 
in the intervening twenty-five or so years. As such, ‘From Cinema 
Culture to Cinema Memory’ welcomes submissions that share in this sense 
of revisionism and development for the study of cinema culture, cinema 
memory and a desire to test the boundaries of our methods and approaches.

We invite proposals for twenty-minute papers and anticipate the event 
being in person, but will be planning for the inclusion of virtual 
attendance should it be necessary. Whilst not obligatory, we would 
welcome papers that in some manner reflect upon the materials and 
findings hosted within our bespoke website/digital archive, which is 
continually being updated with new items from the archive. You can find 
out more about the research design of our interview holdings here: 
https://www.lancaster.ac.uk/fass/projects/cmda/index.php/history/research-design/ 
<https://www.lancaster.ac.uk/fass/projects/cmda/index.php/history/research-design/>. 
A more detailed discussion of the methods and approaches from ‘Cinema 
Culture in 1930s Britain’ can be found in the appendixes of /An Everyday 
Magic /(Kuhn, 2002: 240-54).

We will make available bursaries (to contribute to costs of UK travel, 
conference fee and accommodation) for up to four post-graduate 
applicants. Please note in your application if you wish to be considered 
for a bursary.

Please submit abstracts of no more than 500 words along with a brief 
(150-word maximum) biography to (CMDA /at/ Lancaster.ac.uk) 
<mailto:(CMDA /at/ Lancaster.ac.uk)> by 30 November 2021.

If possible, please also indicate if you would plan to attend the 
conference in person or via online remote delivery. Your answer at this 
stage is *not* definitive and is only to aid our planning.

**

*Keynote speaker biographies:*

**

Annette Kuhn is Professor and Research Fellow in Film Studies at Queen 
Mary University of London and a Fellow of the British Academy. 
Publications include Family Secrets: Acts of Memory and Imagination; An 
Everyday Magic: Cinema and Cultural Memory; Little Madnesses: Winnicott, 
Transitional Phenomena and Cultural Experience; and, with Guy Westwell, 
Oxford Dictionary of Film Studies. She was Director of the ESRC project 
'Cinema Culture in 1930s Britain' and is currently Co-Investigator of 
'Cinema Memory and the Digital Archive (AHRC).

Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes 
University with a research interest in audiences, memories, film 
exhibition and programming. Daniela is currently leading the AHRC-funded 
project European Cinema Audiences: Entangled Histories and Shared 
Memories. Amongst her recent publications, the jointly authored 
monograph Italian Cinema Audiences. Histories and Memories of 
Cinema-going in Post-war Italy (Bloomsbury: London/New York, 2020). 
Daniela is also a member of the Steering Committee for the AHRC funded 
project Cinema Memory and the Digital Archive: 1930s Britain and Beyond.

*Cited Works:*

Kuhn, A. (2002) /An Everyday Magic: Cinema and Cultural Memory/. London 
and New York: I. B. Tauris

Kuhn, A. (upcoming). ‘From Cinema Culture to Cinema Memory: a Conceptual 
and Methodological trajectory’. In: Egan, K., Smith, M., and Terrill, J. 
/Researching Past Screen Audiences/, Edinburgh: Edinburgh University Press.

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