[ecrea] CFP: Collaboration and Competition in the Cultural and Creative Industries

*International C**onference***
*Collaboration and Competition in the Cultural and Creative Industries***
University of Southern California-Shanghai Jiao Tong University
Institute of Cultural and Creative Industry, Shanghai, China
5-7^th June 2017
**
Hosted by: USC-SJTU Institute of Cultural and Creative Industry 
http://icci.sjtu.edu.cn/en/
Confirmed Keynote Speakers:
*Professor Chris Berry*, King’s College, London
*Professor Andrew Spicer*, University of the West of England
*Emeritus Professor Brian Winston*, University of Lincoln
Deadline for abstracts: 24^th February 2017
Bringing together an enormous range of endeavours, the cultural and 
creative industries range from art, cinema, music, and fashion to 
curatorship, museum management, and heritage site revitalisation. Such 
endeavours are of great importance artistically, culturally and 
economically, so it is understandable that recent years have seen 
increasing attention on the Cultural and Creative Industries, both in 
teaching and research, in Higher Education institutions around the 
world. In response to this, the USC-SJTU Joint Institute of Cultural and 
Creative Industries in Shanghai is pleased to announce an international 
conference to explore the most recent developments in the field, at both 
national and international levels. Under the theme of “Collaboration and 
Competition”, we wish to call for a rethinking of the roles and methods 
of cultural production, and how they relate to current concerns about 
globalisation, and concurrent moves towards nationalism. In addition, 
our sub-theme for this conference, “Futures and Pasts” emphasises a 
pan-historical focus, and also seeks to facilitate dialogue among 
industry historians, theorists, and professionals.
The purpose of this conference is to bring together scholars and 
industry practitioners from a wide variety of disciplines and interests, 
with a view to establishing common ground in order to compare, exchange 
and develop new ways of researching, teaching, and working in the 
creative and cultural industries. We welcome abstracts for individual 20 
minute presentations or panels consisting of three papers (in English) 
from scholars and practitioners working in any field of the cultural and 
creative industries. Please send abstracts and enquiries to 
(icci-conf /at/ sjtu.edu.cn) <mailto:(icci-conf /at/ sjtu.edu.cn)>by 24^th February 
2017. Possible topics include, but are not limited to:
•Production and Co-Production
-Movie coproductions
-International exchanges
-Production studies
•Spaces and Technologies
-Film Festivals and other Cultural Marketplaces
-Creative Clusters
-Independent and boutique operations
-Technologies of production and distribution
•Methods and approaches: Researching Cultural and Creative Industries:
-Comparative research
-Anthropological approaches
-Data gathering
-Historical perspectives
-Archive research
•Pedagogy and Education
-What should we teach? How should we teach it?
-The role of public institutions and public education programmes in 
museum spaces
-What can we learn from international approaches?
•Strategies and Policies
-Marketing and Promotion of/as Cultural Products
-Race, class, and gender in the creative and cultural industries
-Intellectual property
-Soft Power
-Cultural Policy
-Cultural and Media Management
We are expecting to publish an edited collection based on a selection of 
the papers presented at this conference.
Conference organisers:
Anthony. T. McKenna, associate professor cinema and screen studies, ICCI
Kiki Tianqi Yu, filmmaker, and associate professor cinema and screen 
studies, ICCI

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