[ecrea] CfP NECS 2017 Conference Paris "Sensibility and the Senses: Media, Bodies, Practices"

CALL FOR PAPERS

The NECS 2017 Conference

SENSIBILITY AND THE SENSES

Media, Bodies, Practices

Paris, France

29 June to 01 July 2017

Hosted by the Université Sorbonne Nouvelle – Paris 3

Pre-Conference

27 and 28 June 2017

Hosted by the Université Paris Diderot – Paris 7

Keynote presentations

Centre Pompidou

Grand Amphithéâtre de la Sorbonne

Deadline for submissions: 31 January 2017

Please note that the membership fee must be paid before submission (see 
www.necs.org/faq for more details). Pay the fee in January to get access 
for the full calendar year.

The question of the relationship between media, bodies, and the senses 
cuts across the entire history of media theories. Since their first 
appearance, technical media such as telegraphy, photography, gramophone, 
film, typewriter, the telephone, radio, and then television, computer, 
internet, as well as a wide variety of cultural techniques for the 
recording, processing, and transmitting of information have been 
analyzed taking into consideration their relationships with the human 
body and its sensory organs. Concepts such as “organ projection,” 
“prosthesis,” “innervation,” “extension,” and “interface” have been used 
to describe the contact and the interaction between human organisms and 
technical apparatuses with their various degrees of hybridization, which 
in turn have generated a whole series of utopian and dystopian visions 
of a future “post-human” condition. And while the very notion of medium 
is strictly related to the problem of sensory perception (since it finds 
one of its origins in the Latin translation of a Greek term, metaxy, 
which was used by Aristotle in order to indicate the material 
intermediary entities that make perception possible), the body itself 
(with its expressive face, its sensitive skin, and its meaningful 
gestures and movements) has often been considered a sort of primary 
medium, a crucial reference point in order to understand the very nature 
of mediation.

The current transformations in our media landscape raise once more the 
question of the correlation between the history of technology and the 
history of the human sensorium, and invite us to reconsider the various 
possible relationships between media – in the widest sense of the term – 
and the realm of the senses, affects, and emotions. Cinema, with the 
various historical transformations of its spatial dispositif, has 
provided for decades and continues to provide a particularly important 
field for the interpretation of the cultural dynamics involved in the 
representation and reception of bodily identities and for the analysis 
of the aesthetic, embodied experience of the spectator. The same can be 
said for other visual, audiovisual, and sound media, which have tried to 
render through the grains, textures, and frequencies of their 
representations the different, dynamic materialities of bodies and 
sensations.

Today, the new bio-technical forms of life produced by ubiquitous 
digital media and by a whole range of artistic and non-artistic 
practices confront us with unprecedented theoretical questions, which 
can be tackled by combining perspectives that are both archaeological 
and forward-looking. We need appropriate theoretical frameworks in order 
to understand phenomena such as the sensory and cognitive functions 
performed by contemporary networked screens, the return of stereoscopic 
3D imagery, the recent developments in the fields of virtual and 
augmented reality, the increasing presence in our living environment of 
intelligent sensing devices, the agencies of elemental media and 
mediating matters, as well as our daily interactions with digital 
technologies whose computational processes and outcomes are located 
below or beyond the thresholds of human perception. Understanding the 
new conditions of human and non-human sensibility within a fully 
networked media environment is one of the major challenges of 
contemporary film and media studies.

The 2017 NECS conference – which will take place for the first time 
France, in a cultural context which has given a very important 
contribution to the development and the institutionalization of film and 
media studies – will try to meet this challenge by tackling the crucial 
issue of the relationship between media, bodies, and the senses through 
the different research perspectives pursued by the members of our community.

Submissions may include but are not limited to the following topics:

·the different ways in which the relationship between media, bodies, and 
the senses has been discussed in the history of film and media theories

·the possible correlations between the history of visual, audiovisual, 
and sound technologies, and the history of sensory experience

·the human body as medium

·the nature of embodied media experiences: the perspectives of 
philosophy, psychology, and the neurosciences

·media environments, sensitive landscapes, mediating matters

·audiovisual media and the aesthetics/economies/ecologies of attention 
and distraction

·the history and the current transformation of screens, and their 
relation to human sensory experience

·audience bodies: apparatuses, behaviors, and the senses

·the media experiences produced by 3D imaging and by virtual and 
augmented reality devices

·media/body interfaces

·bodily gestures and motion capture technologies

·the history and current developments of techniques of brain and body 
imaging, biometrics, and body data visualization

·the impact of media and technologies of big data processing onto the 
forms and rhythms of human sensory perception

·wearable media and smart tissues

·the role of media in mobilizing and geolocalizing bodies

·organic bodies, artificial bodies, hybrid bodies, prosthetic bodies

·the relation between human and non-human (material, environmental, 
animal, technological) sensibility

·the representation of bodies and the senses in the history of sound media

·bodies and the senses in the history of experimental, avant-garde 
cinema and in contemporary visual arts

·the aesthetics of film forms and the relationships between filmic and 
bodily energies and forces

·bodies and the senses in the traditions of documentary cinema

·bodies and the senses in visual anthropology and sensorial ethnography

·bodies, senses, and modes of self-representation in social media

·bodies and the senses in videogames and animation films

·bodies, gestures, discipline, and performance in the history of 
industrial cinema

·media, sensibility, affects, and emotions

·audiovisual media and the politics of sexuality and body identities

·media and the politics of the senses

·stars and celebrities as bodies, images, and role models

·bodies, senses, and fan cultures

·the impact of new and domestic media on identities, intimacies, gender 
roles, and personal relationships

·representations of bodies and the senses and questions of ethics, 
morality, and taste

Scholars from all areas of cinema and media studies, whether previously 
affiliated with NECS or new to the network, are invited to submit 
proposals, but NECS membership is a requirement.

NB The conference will be held in English, with a limited presence of 
contributions in French. Individual papers will have to be in English. 
Pre-constituted panels can be in English, in French, or with a mix of 
the two languages.

FORMATS

Individual papers

Individual presenters wishing to submit a proposal for a paper 
presentation of max. 20 minutes are required to provide their name, 
email address, the title of the paper, an abstract, key biographical 
references, and a short bio of the speaker.

Pre-constituted panels

We support the submission of proposals for pre-constituted panels with 3 
or 4 papers (3 papers only if there is a respondent) in order to 
strengthen the thematic coherence of panels. Furthermore, several 
thematically related panels may form larger clusters. We would like to 
strongly encourage members of the NECS workgroups to put together 
pre-constituted panels, but we also welcome submissions from academic 
research project teams, museums, archives, and other institutions. We 
highly recommend no more than two speakers from the same institution 
with a maximum of 20 minutes speaking time each. Panel organizers are 
asked to submit panel proposals that include a panel title, a short 
description of the panel and information on all of the individual papers 
of the panel, as described above.

Workshops

Events such as workshops, roundtables or seminars – both pre-conference 
and conference – concentrating on more practical aspects of our field, 
e.g. teaching, research methods, publishing, or networking with the 
media industry are also welcome. Speaking time should be limited to 10 
minutes per participant. Organizers are asked to submit workshop 
proposals that include a title and a short description.

Workgroups

There will be opportunity for the NECS workgroups to meet during the 
conference. Please notify the conference organizers if you wish to held 
a workgroup meeting in Paris: (necs2017paris /at/ gmail.com)

Please note that individuals may submit only one paper proposal, either 
as individual presenters or as part of a pre-constituted panel or 
workshop. Please submit all proposals before 31 January 2017 using the 
submission form available at: 
http://necs.org/conference/proposal-submission-form/

ACCOMPANYING EVENTS

The NECS Graduate Workshop

The NECS Graduate Workshop has been designed to give scholars at the 
beginning of their career a platform for networking with established 
European film and media scholars. The 15th NECS Graduate Workshop in 
Paris (27-28 June 2017, Université Paris Diderot – Paris 7) is dedicated 
to the topic of Future Sensibilities: Mediations of Precarious Life. You 
will find the CfP online at: 
http://necs.org/conference/callforpapers2017/cfp_gw2017/ Please send 
your submission with an abstract (max. 200 words) and a short bio (max. 
150 words) to: (graduates /at/ necs.org)

Pre-Conference workshops and activities

Will be hosted by the Université Paris Diderot – Paris 7 on 27-28 June 
2017. A full program will be available together with the Conference 
program. There is no conference fee, but valid NECS membership and 
online registration are required in order to participate in the 
conference and to submit a proposal. Participants (individual presenters 
as well as all members of pre-constituted panels) must register and pay 
their membership fee before a proposal is submitted 
(http://necs.org/user/register ). Since bank transfers may take some 
time, please consider transferring the membership fee before January 
23rd, 2017.

Participants will have to cover their own travel and accommodation 
expenses. Travel information, a list of local hotels and information on 
further events will be posted on the NECS conference website in Spring 2017.

See also: http://necs.org/faq.

Please email all inquiries to: (necs2017paris /at/ gmail.com)

CONFERENCE ORGANIZERS

NECS Steering Committee: Sophie Einwächter, Judith Keilbach, Skadi 
Loist, Michał Pabiś-Orzeszyna, Francesco Pitassio, Antonio Somaini, 
Alena Strohmaier

NECS Conference Committee: Luca Barra, Ruggero Eugeni, Jesko 
Jockenhövel, Rahma Khazam, Daniel Kulle, Raphaëlle Moine, Michał 
Pabiś-Orzeszyna, Antonio Somaini

Local organizing team at the Université Sorbonne Nouvelle Paris 3: 
Raphaëlle Moine and Antonio Somaini, together with Alexis Blanchet, 
Fabrice Buschini, Teresa Castro, Kristian Feigelson, Kira Kitsopanidou, 
Barbara Laborde, Bruno Péquignot

Local organizing team at the Université Paris Diderot Paris 7: 
Emmanuelle André and Martine Beugnet.


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