[ecrea] CATH Postgraduate Conference - Production Studies: Film, Television and their Industrial Contexts

Registration is now open for the fifth annual CATH Postgraduate 
Conference, ‘Production Studies: Film, Television and their Industrial 
Contexts’. This free one day conference will be held on 15 June 2016 at 
De Montfort University.

You can register to attend the conference here 
<https://www.eventbrite.co.uk/e/production-studies-cath-centre-postgrad-conference-de-montfort-university-tickets-25315607664?utm_campaign=new_event_email&utm_medium=email&utm_source=eb_email&utm_term=viewmyevent_button>.

The confirmed keynote speaker is Bridget Conor, Senior Lecturer at 
King’s College London and co-editor of /Production Studies, the Sequel!: 
Cultural Studies of Global Media Industries/ (2015).

The conference will conclude with a round table discussion with three 
industry professionals: scriptwriter and producer Graham Duff, CG 
generalist B Jones and writer/director Will Jewell.

Please find the schedule below:

*The Cinema and Television History (CATH) Research Centre presents:*

*Production Studies: Film, Television, and their Industrial Contexts*

**

*A postgraduate conference organised in association with BAFTSS*

**

*Wednesday 15 June 2016*

**

*Clephan Building, De Montfort University*

_Schedule_

09.00 - 09.30Registration (Clephan Building: Third Floor Lobby)

09.30 - 10.30Keynote: Invisible Labour/Invisible Workers in Media 
Production Studies -

Dr. Bridget Conor (Kings College London) CL3.01

10.30 - 10.45Break CL3.02

10.45 - 12.25Parallel Panels (1)

*The Role of Women in Film and Television Production *CL3.01

	

*Production for Contemporary Audiences*

CL3.03

Frances Galt (De Montfort University) - /Patterns of Discrimination 
against Women in the Film and Television Industries/ Report (1975): A 
Historical Context

	

Cassie Brummitt (De Montfort University) - Pottermore: The Production of 
a Digital Adaptation

Ania Ostrowska (University of Southampton) – I’m Not Very Good At 
Compromising…’ Creative Agency of Women Documentarians Working With 
British TV Channels

	

Gloria Dagnino (Università della Svizzera italiana) - Friends with 
(conflicting) Benefits? Industrial and Cultural Relations Between 
Italian Film Producers and Product Placement Agents

Jennifer Voss (De Montfort University) - ‘The Hardest Working Girl in 
Hollywood’: Clara Bow, Louise Brooks and the Welfare of the Performer

	

Jinuo Diao (University of St Andrews) - Under the Profit Push Trend: 
What is Happening to Production in the Contemporary Chinese Film Industry

Munira Cheema (University of Sussex) - The Production of Gender-based 
Content in Pakistani Television Industry

	

Anna Potter (University of Sunshine Coast) - Digitally Disrupting 
Programming and Production Practices: Tales from the Children’s 
Television Industry

12.25 - 13.10Lunch CL3.02

13.10 - 14.50Parallel Panels (2)

*National Contexts of Production*

CL3.01

	

*The Lives of Production Workers*

CL3.03

Marc Rose (University of Portsmouth) - Creative Identity in British 
Music Video: Exploring Oil Factory and Sophie Muller

	

Laura Taylor (Leeds Beckett University) - Self-Shooting for Documentary 
and Factual

Maya Nedyalkova (University of Southampton) - On a Mission to Win: 
Contemporary Bulgarian Producer Dimitar Mitovski and His Comedy Feature 
/Mission London/

	

Karl Rawstrone (University of West of England/Bournemouth University) - 
Methodological Issues: Questions and Interventions in the Qualitative 
Interview

Andre Dechert (University of Augsburg) - Looking to America: A 
Transnational History of Early West German Television in the 1950s

	

Laura Fryer (De Montfort University) - Screenwriting, Self-Adaptation 
and Collaborative Authorship: Ruth Prawer Jhabvala’s /The Householder 
/and /Heat and Dust/

Alejandra Castano Echeverri (University of Leicester) - Creative Labour 
and Public Value: Contextual Specificity and Impact on Colombian Public 
Broadcasting System

	

Geoff Brown (De Montfort University) - A Fly on the Wall in 1929: The 
Production Diary of David Cunyghame at British International Pictures

14.50 - 15.05Break CL3.02

15.05 - 16.45 Parallel Panels (3)

*Production Workers as Creative Workers*

CL3.01

	

*Genre and Generic Context of Production*

CL3.03

Tim Heath (Royal Holloway) - “Idiots Turned Engineers.” The 
Redistribution of skill in British Television Dubbing

	

Daniel Klug (University of Basel) - ‘It’s Not What It looks Like’: The 
Context of Scripted Reality Production

Tom Symmons (/Early Career Researcher/) - New Hollywood Cinematographers

	

Eva Pjajcikova (Masaryk University) - Czech Television Crime Series 
Constructing their Identities

Rowan Aust (Royal Holloway) - The Lives of Television Editors

	

Kieran Foster (De Montfort University) – Dracula Unseen: Hammer’s Unmade 
Films

Dr Douglas McNaughton (University of Brighton) - ‘Visible’ and 
‘Invisible’ Performance: Framing Performance in 1970s Television Drama 
Production

	

Li Yuxiao (ShanDong University) - Inexperienced Content Producers Create 
Popular Works

16.45 - 17.00Break CL3.02

17.00 - 18.00Roundtable with Industry Guests: Graham Duff, B. Jones and 
Will Jewell CL3.01

18.00 - 18.30Wine Reception CL3.02

19.00Conference Dinner – The Boot Room, Leicester


--
*Cinema and Television History (CATH) Research Centre Postgraduates*

Room 3.06J
School of Media and Communication
Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH

e: (cath.postgrad /at/ gmail.com) <mailto:(cath.postgrad /at/ gmail.com)>

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