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[ecrea] The Poster: Call for Papers
Fri Oct 11 21:33:26 GMT 2013
Call for Papers: the editors of The Poster are now seeking submissions
The designer acts as a constructor of artificiality by designing
cultural interface artifacts. By analyzing the poster/artifact through
its visual rhetoric, The Poster asks if it is possible to perceive and
reveal the contours of its poesis construction. The identification of
moments of formal rupture corresponds to a focus upon the relationship
between authorial dynamics, technologies and programmes, and the
constraints that these impose upon the designer’s freedom.
Thus, at any given moment, the resulting of visual rhetoric of the
posters represents one possible manifestation of these complexities. The
Poster seeks contributions based in interpretation, culture and
attention to social signals that characterize a time and a space, using
design history as a tool to discover particularities of the poster at
visual rhetoric level and from the following perspectives: How did the
concept of the poster evolve over time its role in setting the terms of
the debate in the public sphere? How does authorship assume innovation,
valorization, singularity, intention/desire and identity on the poster?
How does technology variation, with its means of production and
reproduction, its normalization and its rule affect the poster? How do
the technologies of production enforce a graphic ‘flavour’ that comes to
define and how does subversion of these means signal dissent? How does
the programme affect the poster by the specifications of the features
and special characteristics demanded by clients?
Articles
Articles should be provided as MS Word (.doc or .docx), Open Document
Text (.odt) or Rich Text Format (.RTF) files with low-resolution images
(72dpi) included in the text at the intended positions in the text: full
print resolution images will be called for later. You can send us both
colour and greyscale images. Please help us out by using the Heading 1
(H1, H2, H3) and Text Body styles in the first instance as this, and the
indication of position of the images, helps us enormously in the editing
and production of the final document. Papers should be between 5000 and
8000 words long. Once a paper is accepted we’ll ask for the full
resolution images.
Visual contributions
These contributions must make an explicable narrative point. They should
be presented, in the first instance, as low-resolution .jpg or .png
files (72 dpi), numbered in the order in which they should be read (if
ambiguity is the intent please help us out by sending us a visual that
explains their intended organization). Please include (as either
metadata or on an accompanying list) details of copyright, authorship
and ownership.
Reviews
Reviews should be between 1000 and 2000 words long and if they carry
images or excerpts of the reviewed material should be copyright cleared
with the author or the owners of the intellectual copyright.
Submissions
Please send submissions for the special issue to Helena Barbosa at
(helenab /at/ ua.pt) or submit at:
http://www.intellectbooks.co.uk/journals/view-Journal,id=181/ and use
the red ‘Submit’ button.
Journal's URL: http://www.intellectbooks.co.uk/journals/view-Journal,id=181/
View the free issue online:
http://www.ingentaconnect.com/content/intellect/post/2010/00000001/00000001
Editors
Simon Downs, Loughborough University | (s.t.downs /at/ lboro.ac.uk)
Malcolm Barnard, Loughborough University | (m.barnard /at/ lboro.ac.uk)
Mel Jordan, Loughborough University | (m.jordan /at/ lboro.ac.uk)
Jaime Gomez, Universidad de Guadalajara | (jaime.gomez /at/ cuaad.udg.mx)
Leong Chan, University of New South Wales | (l.chan /at/ unsw.edu.au)
Helena Barbosa, University of Aveiro | (helenab /at/ ua.pt)
Robert Harland, Loughborough University | (r.g.harland /at/ lboro.ac.uk)
The Poster, published by Intellect, first published in 2010, 2 issues
per volume
ISSN: 20403704 | Online ISSN: 20403712
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