[Commlist] Journal of Screenwriting 13.3 is published (Special Issue: ‘Textual Perspectives: Screenwriting Styles, Modes and Languages’)

Intellect is pleased to announce that Journal of Screenwriting 13.3 is 
out now!


Special Issue: ‘Textual Perspectives: Screenwriting Styles, Modes and 
Languages’


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting 
<https://www.intellectbooks.com/journal-of-screenwriting>


Aims & Scope


The Journal of Screenwritingexplores the nature of writing for the 
screen in its broadest sense. It showcases original thinking around 
screenwriting history, theory, practice and pedagogy, with a truly 
international perspective and outlook. The journal encourages a broad 
range of approaches to studying screenplays and the screenwriting 
profession, drawing on methodological traditions from creative practice, 
cultural and media studies, history and industry/production studies, to 
name just a few. The journal is also open to submissions that take the 
form of ‘industry insights’ and ‘pedagogy papers’, encouraging a wide 
range of voices and interests to help build and shape the field of 
screenwriting studies. The journal also prides itself on mentoring new 
voices within the field and collaboratively written articles that assist 
in this endeavour are welcomed.


Issue 13.3


Introduction


Textual perspectives: Screenwriting styles, modes and languages 
<https://intellectdiscover.com/content/journals/10.1386/josc_00100_2>

ROMANA TURINA AND GABRIELLE TREMBLAY


Articles


What we cannot see in Sound of Metal and Her Smell: Interplays of 
awareness, perspective and language in the screenplay text 
<https://intellectdiscover.com/content/journals/10.1386/josc_00101_1>

CARINA BÖHM


Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and 
illustrated screenplay 
<https://intellectdiscover.com/content/journals/10.1386/josc_00102_1>

CAMILA AUGUSTA PIRES DE FIGUEIREDO


The power of schism: Unconventional narrative structure in No Country 
for Old Men 
<https://intellectdiscover.com/content/journals/10.1386/josc_00103_1>

CHRIS NEILAN


Spinning and singing: Exploring memory and gender non-conformity through 
screenwriting for publication first 
<https://intellectdiscover.com/content/journals/10.1386/josc_00104_1>

DALLAS JOHN BAKER


Bryan Fuller’s Hannibal: Cannibalizing the canon 
<https://intellectdiscover.com/content/journals/10.1386/josc_00105_1>

RYAN TAYLOR


Rethinking our protagonists: Absence on screen and meta-narratives of 
empire <https://intellectdiscover.com/content/journals/10.1386/josc_00106_1>

SHERIDAN HUMPHREYS


Reading the docufiction script: Harnessing the thin line between facts 
and fiction 
<https://intellectdiscover.com/content/journals/10.1386/josc_00107_1>

JOHN IWUH AND NICODEMUS ADAI PATRICK


Book Reviews


Scene Writing: The Missing Manual for Screenwriters, Chris Perry and 
Eric Henry Sanders 
<https://intellectdiscover.com/content/journals/10.1386/josc_00108_5> 
(2022) <https://intellectdiscover.com/content/journals/10.1386/josc_00108_5>

WARREN LEWIS


Script Analysis: Deconstructing Screenplay Fundamentals, James Bang 
(2022) <https://intellectdiscover.com/content/journals/10.1386/josc_00109_5>

JAMES SHELTON


Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021) 
<https://intellectdiscover.com/content/journals/10.1386/josc_00110_5>

ROSANNE WELCH

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