[Commlist] Global Media and China June 2022 issue published

We are pleased to announce that our journal Global Media and China has 
just published its latest issue (Volume 7, Issue 2, June 2022).


And also we sincerely welcome your contribution to our journals. If you 
are interested and have the time, it is a great honour for us to receive 
your submission. Here is the submission portal:

https://mc.manuscriptcentral.com/gmac 
<https://mc.manuscriptcentral.com/gmac>. For more information about 
Global Media and China, please go to gch.sagepub.com 
<http://gch.sagepub.com/>, you can also find detailed submission 
guidelines there.


You can freely read this new issue at: 
https://journals.sagepub.com/toc/GCH/current 
<https://journals.sagepub.com/toc/GCH/current>

(Follow us at: https://twitter.com/GCHjournal 
<https://twitter.com/GCHjournal>; 
https://www.facebook.com/Global-Media-and-China-110136464998539/ 
<https://www.facebook.com/Global-Media-and-China-110136464998539/>)

*Original Articles*

*The politics of platform power in surveillance capitalism: A 
comparative case study of ride-hailing platforms in China and the United 
States*

/Ngai Keung Chan and Chi Kwok/

https://doi.org/10.1177/20594364211046769 
<https://doi.org/10.1177%2F20594364211046769>

*Delegitimising Data Subjects’ Economic Interests During Automatic 
Propertisation of Their Data: A Comparative Study of Data Protection on 
Social Media Platforms in the UK and China*

/Janet Hui Xue/

https://doi.org/10.1177/20594364211060874 
<https://doi.org/10.1177%2F20594364211060874>

*Online Fiction Writers, Labor, and Cultural Economy*

/Wei He, Lei Lin and Anthony Fung/

https://doi.org/10.1177/20594364221105643 
<https://doi.org/10.1177%2F20594364221105643>

*The invention of Chinese “media tradition”: Mediatization of festival 
tradition and family cultural reproduction in contemporary China*

/Zhuoxiao Xie/

https://doi.org/10.1177/20594364221090711 
<https://doi.org/10.1177%2F20594364221090711>

*Contested fandom and nationalism: How K-Pop fans perform political 
consumerism in China*

/Eureka Shiqi Wang/

https://doi.org/10.1177/20594364221093768 
<https://doi.org/10.1177%2F20594364221093768>

*Influenced or to be influenced: Engaging social media influencers in 
nation branding through the lens of authenticity*

/Xiufang (Leah) Li and Juan Feng/

https://doi.org/10.1177/20594364221094668 
<https://doi.org/10.1177%2F20594364221094668>

*Book Reviews*

*Man-Fung Yip, Martial Arts Cinema and Hong Kong Modernity: Aesthetics, 
Representation, Circulation*

/Hong Yu Liu/

https://doi.org/10.1177/20594364221081323 
<https://doi.org/10.1177%2F20594364221081323>

*Zhang Lun, Wang Chengjun and Xu Xiaoke, **计算传播学导论** (*/Jisuan 
Chuanboxue Daolun/*)*

/Dani Fadillah, Luo Zhenglin and Bai Long/

https://doi.org/10.1177/20594364221081327 
<https://doi.org/10.1177%2F20594364221081327>

*David Craig, Jian Lin, and Stuart Cunningham, Wanghong as Social Media 
Entertainment in China*

/Laura Vermeeren/

https://doi.org/10.1177/20594364221089987 
<https://doi.org/10.1177%2F20594364221089987>

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