[Commlist] New issue of SoundEffects journal published

SoundEffects vol. 9 iss. 1: Sound and Participation

Edited by Iben Have and Vadim Keylin.

The rising prominence of interactive media and technologies has brought 
about an increased scholarly interest in participatory phenomena. This 
issue of SoundEffects aims to put a sonic spin on participation studies 
and emphasize the dialogic and participatory aspects of auditory culture.

Editorial:

Sound and participation (Iben Have & Vadim Keylin): 
https://www.soundeffects.dk/article/view/118244

Articles:

Co-consuming a “fun addiction”: Buying, desiring, and using Eurorack 
together online (Farley Miller): 
https://www.soundeffects.dk/article/view/112699

Noise over signal: Phonography culture as participatory (Jason W. Luther 
and Patrick Williams): https://www.soundeffects.dk/article/view/116688

Algorithmic interactive music generation in videogames: A modular design 
for adaptive automatic music scoring (Alvaro E. Lopez Duarte): 
https://www.soundeffects.dk/article/view/118245

Sound production as a cultural practice: Recording studios in the 
Northern Region of Malawi (Piotr Cichocki): 
https://www.soundeffects.dk/article/view/118246

Community as a discursive construct in contemporary Danish singing 
culture (Lea Wierød Borčak): https://www.soundeffects.dk/article/view/113023

Crash, boom, bang: Affordances for participation in sound art (Vadim 
Keylin): https://www.soundeffects.dk/article/view/118243

Silences and policies in the shared listening: Ultra-red and 
Escuchatorio (Susana Jiménez Carmona): 
https://www.soundeffects.dk/article/view/112931

The soundscape of Islamic populism: Auditory publics, silences and the 
myth of democracy (Nil Basdurak): 
https://www.soundeffects.dk/article/view/112804

The whole issue can be found here:

https://www.soundeffects.dk/issue/view/8519

SoundEffects (http://soundeffects.dk) is an open access, international, 
peer-reviewed journal on sound and sound experience operating on the 
Open Journal System. SoundEffects brings together a plurality of 
theories, methodologies, and historical approaches applicable to sound 
as both mediated and unmediated experience. The journal primarily 
addresses disciplines within media and communication studies, 
aesthetics, musicology, comparative literature, cultural studies, 
psychology and sociology. In order to push the boundary of 
interdisciplinary sound studies into new areas, we also encourage 
contributions from disciplines such as health care, architecture, and 
sound design. As an international journal taking a humanities-based 
interdisciplinary approach to sound, SoundEffects is responding to the 
increasing global interest in sound studies.

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