[ecrea] New issue: Alphaville Issue 14: "For a Cosmopolitan Cinema" now out

A new issue of ALPHAVILLE: JOURNAL OF FILM AND SCREEN MEDIA is now online:

Issue14 — "For a Cosmopolitan Cinema”
http://www.alphavillejournal.com/Issue14.html 
<http://www.alphavillejournal.com/> <_http://www.alphavillejournal.com/Issue14.html_>

Contents:

Editorial: For a Cosmopolitan Cinema
by James Mulvey, Laura Rascaroli, and Humberto Saldanha, University 
College Cork (Issue Editors)

01 Encounters with Cultural Difference: Cosmopolitanism and Exoticism in 
Tanna (Martin Butler and Bentley Dean, 2015) and Embrace of the Serpent 
(Ciro Guerra, 2015)
by Daniela Berghahn, Royal Holloway, University of London

02 Cosmopolitan Pleasures and Affects; Or Why Are We Still Talking about 
Yellowface in Twenty-First-Century Cinema?
by Felicia Chan, The University of Manchester

03 “Now I Fight for Belonging”: A Cosmopolitan Refugee Meets Regional 
Australia in Constance on the Edge
by Sukhmani Khorana, University of Wollongong

04 Global Film at Global Airlines
by Dina Iordanova, University of St Andrews

05 Cosmopolitan Spaces of International Film Festivals: Cannes Film 
Festival and the French Riviera
by Dorota Ostrowska, Birkbeck, University of London

06 Film Festivals as Cosmopolitan Assemblages: A Case Study in Diasporic 
Cocreation
by Monia Acciari, De Montfort University

07 The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in 
Colombian Cinema
by Maria Luna, Universitat Autònoma de Barcelona, and Philippe Meers, 
University of Antwerp

08 Imperial and Critical Cosmopolitans: Screening the Multicultural City 
on Sherlock and Elementary
by Anne Kustritz, Utrecht University


Dossier: Teaching European Cinema—The European University Film Award 
(EUFA) Project
Edited by Skadi Loist, University of Rostock, Germany

Introduction
by Skadi Loist, University of Rostock, Germany

01 Developing a Visual Dictionary and Discussing Media Mechanisms in Europe
by Pascal Edelmann, European Film Academy

02 EUFA and Film Studies at Liverpool John Moores University
by Lydia Papadimitriou, Liverpool John Moores University, United Kingdom

03 Film Appreciation, Critical Evaluation, and Scholarship: Some 
Reflections on
Teaching the First Year of EUFA
by Mariah Larsson, Linnaeus University, Sweden

04 Evaluation Criticism and Why the European University Film Award Cannot Be
another Eurovision Song Contest
by Ioannis Skopeteas, University of the Aegean, Greece

05 Showing, Seeing and Discussing: Or, How to Deal with European Cinema 
by Looking
at Contemporary Films and Asking Questions
by Francesco Pitassio, University of Udine, Italy

06 Developing an Appreciation for Film and European Cinema
by Skadi Loist, University of Rostock, Germany

07 Teaching through the European University Film Award: Promoting a Complex
Understanding of European Cinema
by Laura Rascaroli, University College Cork, Ireland

08 Between Polderen and Programming: A Teaching Report of the EUFA 
Project at
Utrecht University
by Laura Copier, Utrecht University, The Netherlands

09 Playing a Film Festival Jury: Cooperative Competition in the Classroom
by Andrea Pocsik, Pázmány Péter University, Hungary

10 Learning Jury Dynamics through Creative Pedagogy: Role-Playing at the 
European
University Film Award
by Aida Vallejo, University of the Basque Country (UPV/EHU), Spain

11 “And the Winner Is…”: The Hamburg EUFA Jury Meetings
by Dagmar Brunow, Linnaeus University, Sweden

Book Reviews
Edited by Humberto Saldanha

Making Time in Stanley Kubrick’s Barry Lyndon: Art History and Empire, 
by Maria Pramaggiore
Reviewer: Gillian McIver, University of Roehampton

 From Self-fulfilment to Survival of the Fittest: Work in European 
Cinema from the 1960s to the Present by Ewa Mazierska
Reviewer: Nick Hodgin, Cardiff University

Compact Cinematics: The Moving Image in the Age of Bit-Sized Media, 
edited by Pepita Hesselberth and Maria Poulaki
Reviewer: Virginia McLaurin, University of Massachusetts Amherst

Reports
Edited by James Mulvey

Film Policies in Transition: Globalization, Digitization, Protectionism
King’s College London, 2 June 2017
Reporter: Gertjan Willems, Ghent University

Document Human Rights Film Festival 2017
Reporter: Alexandra-Maria Colta, University of Glasgow and University of 
St Andrews



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