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[ecrea] Journal of Greek Media & Culture 3.1
Tue May 02 20:01:15 GMT 2017
Intellect is thrilled to announce that the new issue of Journal of Greek
Media & Culture (3.1)is now available.
For more information about this issue, please click here
<https://www.intellectbooks.co.uk/journals/view-issue,id=3284/> or email
(katy /at/ intellectbooks.com) <mailto:(katy /at/ intellectbooks.com)>.
Articles within this issue include (partial list):
<https://www.intellectbooks.co.uk/journals/view-Article,id=23620/>
Beware of Greeks bearing gifts: Metaphors as viruses in discourses on
the Greek crisis
<https://www.intellectbooks.co.uk/journals/view-Article,id=23620/>
Authors: Matthew Gumpert
Page Start: 31
During negotiations in February 2015 over the Greek debt crisis, a
German official was widely quoted referring to the latest Greek offer as
a ‘Trojan horse’ designed to sabotage the latest bailout package. The
recent economic debacle and the threat of a ‘Grexit’ from the eurozone
produced a veritable outbreak of tropes in the classical style: Greece
is Europe’s ‘Achilles heel’, its collapse a ‘modern Greek tragedy’, its
prospects for recovery ‘Sisyphean’, etc. What are the effects of these
classicizing clichés – all of which function, in effect, as Trojan
horses – on the debate over European unity and identity, past, present
and future? A closer examination of these hellenotropes suggests that
they constitute important weapons or antidotes for conceptualizing and,
by the same token, quarantining Greece as a form of economic, political
and cultural ruin metastasizing within the European body politic. But
the effort to ward off the virus of the Greek ruin only helps transmit
it. What finally underlies Europe’s resentment of Greece is the anxiety
produced by the metaphorical itself: the fear that Greece is either not
enough or too much like Europe.
Roman-alphabeted Greek and transliteration in the digital language
practices of Greek secondary school pupils on Facebook
<https://www.intellectbooks.co.uk/journals/view-Article,id=23621/>
Authors: Christopher Lees, Periklis Politis and Dimitris Koutsogiannis
Page Start: 53
This article highlights the uses of Roman-alphabeted Greek as observed
in the language practices of fifteen Greek secondary school pupils on
their Facebook profiles. We argue that far from the use of Latin
alphabet posing a threat to the Greek language, as it is often
described, Roman-alphabeted Greek merely forms part of teenagers’
digital communication exchanges. Furthermore, our data point to a clear
preference for using the Greek script as opposed to the Latin. In many
instances where the Latin alphabet is used, pupils, albeit with
gender-related differences, use orthographic transliteration, so as to
adhere to standard Greek spelling. At the same time, we draw attention
to an emerging trend in alphabet choice, where other languages are
transcribed using the Greek script.
Foreign correspondents in Cyprus: Universal roles and contextualized
practices <https://www.intellectbooks.co.uk/journals/view-Article,id=23622/>
Authors: Vaia Doudaki
Page Start: 73
This study on foreign correspondence in Cyprus explores the profiles and
professional values of the correspondents working on the island, taking
into consideration the interplay of forces operative at the level of the
foreign correspondents’ professional culture, the international media
environment and the specific context of the country the correspondents
report from and for. The study shows that the foreign correspondents
working in Cyprus largely align with their colleagues in other
countries, as it concerns the self-perception of their main professional
roles, values and selection criteria. At the same time, these roles,
values and tasks take on certain special traits, accommodated both in
the specificities of the foreign correspondent’s job and the Cypriot
environment. This contextualized examination points to the complexity
not only of studying but also of defining foreign correspondence in
ever-changing environments and sheds some light on the ways in which
news is built as a product of its time and its professional, cultural
and social milieu.
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