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[ecrea] Film Festivals and Activism - new book from St Andrews Film Studies
Wed Mar 28 15:03:21 GMT 2012
The latest installment of the Film Festival Yearbook series is out now...
*FILM FESTIVALS AND ACTIVISM*
* *
*edited by*
*Dina Iordanova and Leshu Torchin*
Film Festivals and Activism is available in the following formats:
Paperback: £19.99 (ISBN: 978-0-9563730-5-2)
Hardback: £50.00 (ISBN: 978-0-9563730-6-9)
Kindle: £14.99 (ISBN: 978-1-908437-01-3; forthcoming in April)
To order, visit: http://stafs.org
*_Table of Contents_*
* *
*Part 1: Contexts*
Leshu Torchin, Networked for Advocacy: Film Festivals and Activism
Dina Iordanova, Film Festivals and Dissent: Can Film Change the World?
Mariagiulia Grassilli, Human Rights Film Festivals: Global/Local
Networks for Social Justice and Advocacy
Ger Zielinski and Skadi Loist, On the Development of Queer Film
Festivals and Their Media Activism
Amalia Córdova, Towards an Indigenous Film Festival Circuit
David Mitchell and Sharon Snyder, Permutations of the Species:
Independent Disability Cinema and the Critique of National Normativity
Leshu Torchin, Traffic Jam Revisited: Film Festivals, Activism and Human
Trafficking
*Part 2: Case Studies*
Igor Blaz(evic', Film Festivals as a Human Rights Awareness Building
Tool: Experiences of the Prague One World Festival
Stefan Simanowitz and Isabel Santaolalla, A Cinematic Refuge in the
Desert: Festival Internacional de Cine del Sahara
Nick Higgins, 'Tell Our Story to the World': The Meaning of Success for
A Massacre Foretold -- A Filmmaker Reflects
Georgekutty A. L., Voices from the Waters: International Travelling Film
Festival on Water
Robert A. Rosenstone, Mediterranean Encounters in Rabat: Rencontres
méditerranéennes cinéma et droits de l'Homme
Clare Muller, Human Rights Film Festivals as an Emerging Model of Human
Rights Education: The Human Rights Arts and Film Festival (HRAFF), Australia
Patricia R. Zimmermann, Humanist and Poetic Activism: The Robert
Flaherty Film Seminar in the 1950s
*Part 3: Resources*
Leshu Torchin and Dina Iordanova, The Resources: Groundwork Continued
Alex Fischer, From Local to Global: The Growing Pains of the Human
Rights Watch International Film Festival: An Interview with Bruni
Burres, Festival Director (1991-2008)
Raluca Iacob, Combining the Foreign with the Familiar: An Interview with
Jasmina Bojic, Founder and Director of the United Nations Association
Film Festival
Alex Fischer, Hot Docs: A Prescription for Reality: An Interview with
Sean Farnel, Former Director of Programming at Hot Docs Canadian
International Documentary Festival
Leshu Torchin, Just Vision and the Uses of a Festival Circuit: An
Interview with Ronit Avni, Executive Director of Just Vision
Greg de Cuir, 'Connect Me with Activism and Film Practice, Not Activism
and Film Festivals!': An Interview with Z(elimir Z(ilnik, Filmmaker
Leshu Torchin, How to Leverage a Film Festival: An Interview with Judith
Helfand, Filmmaker and Co-founder of Chicken & Egg Pictures and Working
Films
Alex Fischer, The Human Touch: A Review of the One World Human Rights
Film Festival Handbook
Kathleen Scott, Bibliography: Films, Film Festivals and Activism
Beatriz Tadeo Fuica, Tables
Table 1: Human Rights Film Festivals
Table 2: Indigenous Film Festivals
Table 3: Lesbian, Gay, Bisexual, Transgender and Queer Film Festivals
Table 4: Film Festivals Related to (Involuntary) Migration
Table 5: Disability and Health-Related Festivals
Table 5a: Deaf Film Festivals
Marijke de Valck and Skadi Loist, Thematic Bibliography on Film Festival
Research Update: 2011
*_What they said about Film Festivals and Activism:_*
'Film Festivals and Activism provides an excellent overview of the field
of human rights and other activist film festivals. It combines
field-level synthesis by academics with expertise in both film festivals
and human rights activism and employs a range of perspectives from key
protagonists working in both established and new festival settings.'
(Sam Gregory, Programme Director, Witness, New York, USA)
'Film Festivals and Activism constitutes a profound acknowledgement of
the work carried out by film festivals and contains a wealth of useful
information about the ideas behind them. It manages to convey the great
diversity of the international film circuit, featuring contributions
that range from the traditionally academic to the engagingly essayistic.
Film Festivals and Activism clearly demonstrates the need for this kind
of publication in academic film studies and, most importantly, provides
a valuable resource for anyone planning or working with international
film festivals.' (Bjørn Sørenssen, Professor of Film and Media,
Trondheim, Norway)
'The Film Festival Yearbook project represents a unique opportunity to
study the multi-faceted phenomenon of film festivals. It focuses on both
global networks and local practices and sheds new light on the artistic,
economic and political issues that are currently reshaping the global
cultural field. Bringing together academics and practitioners from an
impressively wide range of professional and national origins, it
embraces both empirical and theoretical analysis. In so doing it
provides striking new insights into a hugely significant cultural
phenomenon.' (Jean-Michel Frodon, film critic, Paris, France)
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