[eccr] New Issue of *Scope* Now Online

>Dear All
>
>*Scope*'s new book reviews, film reviews and conference reports are now 
>available online at:
>
>http://www.nottingham.ac.uk/film/journal/index.htm
>
>Here is the list of contents:
>
>Book Reviews:
>
>A Long Hard Look at Psycho, By Raymond Durgnat. A Review by Frances 
>Pheasant-Kelly
>
>Cinema of Interruptions: Action Genres in Contemporary Indian Cinema, By 
>Lalitha Gopalan. A Review by Oindrila Mukherjee
>
>Conspiracy Nation: The Politics of Paranoia in Postwar America, Edited by 
>Peter Knight. A Review by Christopher H. Smith
>
>Dreaming of Fred and Ginger: Cinema and Cultural Memory, By Annette Kuhn. 
>A Review by Paul Grainge
>
>Film: An Introduction (Second Edition), By William H. Phillips. A Review 
>by Warren Buckland
>
>Global Hollywood, Edited by Toby Miller, Nitin Govil, John McMurria, and 
>Richard Maxwell. A Review by Daniel Chamberlain
>
>Horse Opera: The Strange History of the 1930s Singing Cowboy, By Peter 
>Stanfield. A Review by Sean Griffin
>
>Mexico City in Contemporary Mexican Cinema, By David Foster. A Review by 
>Karen Anijar and Nicole Teyechea
>
>Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema 
>of the Silent Era, Edited by Pearl Bowser, Jane Gaines and Charles Musser. 
>A Review by Celeste-Marie Bernier
>
>Studying Contemporary American Film: A Guide to Movie Analysis, By Thomas 
>Elsaesser and Warren Buckland. A Review by Eugenie Brinkema
>
>Tomás Gutiérrez Alea: The Dialectics of a Filmmaker, By Paul A. Schroede
>
>Questioning African Cinema: Conversations with Filmmakers, By Nwachukwu 
>Frank Ukadike. A Review by Ambrose Uchenunu
>
>Film Reviews
>
>Bringing Down the House, A Review by Rebecca Janicker
>
>Charlie's Angels: Full Throttle, A Review by Natalie Wilson-Clift
>
>Hulk, A Review by Bob Rehak
>
>Irréversible, A Review by Eugenie Brinkema
>
>Laurel Canyon, A Review by Michael Keating
>
>The Magdalene Sisters, A Review by Brian Gibson
>
>Playtime, A Review by Jerome de Groot
>
>The Recruit, A Review by Ross Thompson
>
>Spider, Videodrome, A Review Essay by Wayne Egers
>
>Who Framed Roger Rabbit, A Review by Greg Jericho
>
>X2, A Review by Rayna Denison
>
>Conference Reports
>
>Active Heroines Study Day, John Moores University, Liverpool in 
>partnership with The Association for Research in Popular Fiction, 14 
>February 2004, A Report by Kerry Gough
>
>The Wicker Man: Rituals, Readings and Reactions -- An Interdisciplinary 
>Conference, Dumfries, 14-15 July 2003, A Report by Mikel J. Koven
>
>Breaking the Boundaries in Television Historiography: Historical Research 
>and the Television Archive, University of Reading, 9 January 2004, A 
>Report by Jamie Medhurst
>
>MeCCSA, The University of Sussex, Brighton, 19-21 st December 2003, A 
>Report by Rayna Denison
>
>best
>
>Julian
>
>Dr. Julian Stringer
>Lecturer, Institute of Film Studies
>School of American and Canadian Studies
>University of Nottingham
>University Park
>Nottingham
>NG7 2RD
>England
>
>Tel: +44 (0) 115 951 4846
>Fax: + 44 (0) 115 951 4270
>http://www.nottingham.ac.uk/film

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Carpentier Nico (Phd)
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Katholieke Universiteit Brussel - Catholic University of Brussels
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European Consortium for Communication Research
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E-mail: (Nico.Carpentier /at/ kubrussel.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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