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[Commlist] CfP: Journal of Illustration - APPARATUS- the role of technology in illustration
Wed Nov 26 14:59:26 GMT 2025
*Call for Papers for the **Journal of Illustration** - APPARATUS- the
role of technology in illustration *
We invite submissions of full manuscripts or expressions of interest
(300 words abstract) for the forthcoming Volume 14 of the Journal of
Illustration (due 2027) from those who have participated in any
capacity in the 15th International Research Symposium and from those who
are inspired by the themes.
Journal of Illustration- Volume 14 (due 2027)
Submission Deadline 26th of January 2026
Machines, appliances, gizmos, and contraptions have always been a part
of illustration, enabling illustrators to transform their thoughts into
real-life forms. The machine’s abilities, aesthetics, and impacts on
humanity have always been a source of inspiration and concern. With the
discussion raging around artificial intelligence as a game-changing
technology, and when computers seem to inextricably serve as parts of
creation and of our lives, perhaps it is time to take stock and consider
the long-established but fluctuating relationship between illustration
and the machine.
From the industrial printing press, the camera lucida, to the modern
digital devices like drawing tablets and smartphones, — machines have
played a critical role not only in the creation of illustrations but
also in their reproduction and distribution. Throughout time, analogue
and multimedia devices have offered new image–text relationships,
bringing new modalities to illustration such as movement, touch and sound.
The digital has offered data visualisation; detailed, calculated
modulation; and access to nano and macro worlds, expanding the
illustrator’s visual language and scope. Self-made contraptions, and
emergent technologies such as digital lenses and wearables open new
avenues for innovative visual experiences. By engaging with these
innovations, illustrators have pushed the boundaries of what machines
can achieve, expanding both the artistic and technical dimensions of
their craft. The long history of illustrating machines reflects our
fascination with both the technical and aesthetic aspects of machinery.
On the other hand, the technological drive towards progress has also
created wasteful obsolescence and loss of knowledge and traditions. The
potential for overtaking human creation, alongside the restricting
impact of machine technology, should not be overlooked, especially when
considered in relation to the authority held by creative-technology
developers. Who controls who, the illustrator or the apparatus,
particularly in this era of boundless growth of new technologies.
This evokes questions such as: What is the relationship that
illustration has with the machine? How have machines and their
technologies empowered or undermined the illustrator? How have machines
enabled, defined or restricted new and exploratory creative processes
and ways of thinking, in the past, present and future? Can a machine
actually make illustrations? What can we take away from machine-made
illustrations? Can a machine be an illustration? Can illustration be a
machine?
We invite papers that expand upon, and discuss the relationship between
illustration and technology, within topic areas such as creative
Technologies and Production, Practice and discipline, Ethics, philosophy
and politics, Iconography, Creativity, Representation, Communication and
Narrative.
Please consider the submission of articles, research case studies,
critical or visual essays
Articles (5000-6000 words)
Case Studies (2000-3000 words)
Critical essays (1500-3000 words)
Visual essays (3000 words equivalence)
Do note, that no payment from the authors will be required.
Please submit via _www.intellectbooks.com/ journal-of-illustration
<http://www.intellectbooks.com/>_ or contact the editors.
Editors
dr. Ilgım Veryeri Alaca (ialaca /at/ ku.edu.tr)
Dilek Yördem (_dilekyordem /at/ gmail.com) <mailto:(dilekyordem /at/ gmail.com)>_
Dr. Nanette Hoogslag (nanette.hoogslag /at/ aru.ac.uk)
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