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[Commlist] Call For Papers:Neither Factory Records nor Madchester:Rethinking Manchester’s Musical and Subcultural Histories
Wed Nov 27 19:21:36 GMT 2024
Call For Papers: Neither Factory Records nor Madchester: Rethinking
Manchester’s Musical and Subcultural Histories
A two-day international conference
Thursday 19th and Friday 20th June 2025 Manchester Metropolitan University
Conference organising team:
Kirsty Fairclough (Manchester Metropolitan University)
Keith Gildart (University of Wolverhampton)
Sarah Raine (University College Dublin) David Wilkinson (Manchester
Metropolitan University)
Cities tell stories about themselves. Manchester likes to tell a story
about itself that’s often summed up in the alleged words of Tony Wilson,
founder of post-punk label Factory Records: ‘We do things differently here’.
But do we really?
Recent research (Rose, 2024) suggests that Manchester might not be as
much an exception as it is an illustration of broader urban trends. The
city’s vibrant cultural legacy has played an important role in shaping
its identity and has been used as a form of 'place marketing,'
celebrating its creative spirit and contributing to its growth. Popular
music and subculture have been key elements of this narrative. Yet in
this process, popular music and subcultures often suffer. Certain people
get to tell their stories; others don’t. Certain stories are told and
retold and others forgotten. Even the stories we do hear become
homogenised, easily digested clichés of friendly Northerners and
historical firsts. When some stories dominate, others may fade or remain
untold. Even the narratives we celebrate are often simplified and
mythologised, focusing on familiar themes and collective historical
milestones.
This conference asks: what do we find when we critically examine the
dominant stories of Manchester music, or when we shift our focus to
those stories less often told?
We invite academic papers, practice-based research and creative
submissions/performances related to (but not limited to) the following
themes:
● Subcultures, scenes, bands, people, nightlife etc. that fall outside
or complicate dominant narratives about Manchester’s cultural past and
present (we are keen to avoid a ‘tokenistic’ approach here that
perpetuates existing myths while making them appear more ‘inclusive’).
● Reclaiming ‘the popular’ e.g. nightclubs, cabaret clubs, ‘fun pubs’.
● The effects of neoliberal urbanism on cultural production and
consumption in the city.
● The popular/subcultural culture(s) of Greater Manchester and its
peripheries.
● Post-Punk and beyond – How post-punk influences have shaped the city’s
identity and its impact on current musical and subcultural expressions.
● From ‘Madchester’ to present-day scenes – The "Madchester" era to
contemporary musical movements.
● The role of DIY and independent labels – How independent labels and
DIY practices have fostered alternative musical communities in Manchester.
● Exploring the intersection of visual arts, performance, and music in
shaping Manchester’s subcultural identities.
● Music and activism – Examining how music and subcultures in Manchester
have intersected with political activism and social change.
● Global influences and local adaptations – Investigating how global
music trends (and migration flows) influence Manchester's scenes and how
these musics are adapted locally.
● Heritage and memory in music scenes – The role of memory in
preserving, celebrating, or distorting Manchester’s musical histories.
● Who gets to speak, who/what is funded, and how – Critical examinations
of heritage projects and practices, and the funding processes (public
and private) that make these possible.
● Community, spaces, and venues – The significance of and threats to
physical spaces in shaping subcultural communities, past and present.
● Musical and subcultural northernness within and beyond Manchester –
Critical examinations of dominant notions of northernness and alternate
understandings of The North.
● Engaging with The Second City – Exploring sub/cultural engagements
with and rejections of Manchester.
Please send to (NeitherFactorynorMadchester /at/ gmail.com) (1) a 250-word abstract
(2) a proposed title (3) a clear indication of presentation format (4)
150 word speaker bio/s Deadline January 20th 2025
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