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[Commlist] cfp: The Works of Amy Sherman-Palladino
Thu Nov 21 08:38:47 GMT 2024
Call for Book Chapters
Deadline extended to 6th Dec 2024
The Works of Amy Sherman-Palladino
Edited by Patricia Prieto-Blanco (Lancaster University, UK) and Cristina
Pérez Ordóñez (Universidad de Málaga, Spain)
Book Series: Screen Storytelling, Bloomsbury. Series Editor: Anna Weinstein
The Screen Storytellersseries is designed for students, professors, and
enthusiastic consumers of film, television, and new media who seek
information about contemporary and historically significant
screenwriters that is both accessible and critically rigorous. The
intention with this series is to bring much-deserved attention to screen
and television writers who have developed noteworthy films and
television series of significant aesthetic or cultural achievement,
critical acclaim, or commercial success, and to offer close readings of
the films and series from the perspective of story, screenwriting craft,
audience reception, and cultural impact. Volumes explores the works of a
single screen storyteller. The series places a strong focus on works by
screenwriters often left out of classroom syllabi, including women,
writers of color, LGBTQ writers, and international writers.
The Works of Amy Sherman-Palladino will be the first volume to explore
the fruitful albeit ever challenging career of Amy Sherman-Palladino
from a screenwriting and production perspective. In doing so, The Works
of Amy Sherman-Palladino aims to complement Ryan’s and Bushman’s 2019
volume “The Women of Amy Sherman Palladino”. Daughter of a comedian and
a dancer, her writing is funny, fast, full of references to pop and high
culture, and her characters always perform complicated verbal and
spatial choreographies. This book will celebrate her particular and very
popular style of writing, explore writing as a collaborative act (as ASP
often writes with her husband), as well as considering how the rhythm of
her dialogues is translated into visual strategies. Thus, while centring
on her screenwriting career, The Works of Amy Sherman-Palladinoalso
considers her as a director and producer.
In order to connect with the target audience of the book series Screen
Storytellers, final essays will be 3.000 – 3.500 words (including
references). The contributions will address the work of Amy
Sherman-Palladino as mentioned above and below, as well as in other
relevant ways we may have missed.
*
Working in tandem: Amy and Daniel Sherman-Palladino
*
The role of dialogue in character development in the work of ASP
*
Fashion as a silent character in the work of ASP
*
Sculpting tumultuous mother-daughter relationships: role of
dialogue, body language, and fashion
*
Transforming quick words into dynamic visuals: ASP as a director
*
Directing for spontaneity while preserving the textual integrity of
the script: director-performer relationships
*
The writing of ASP at service of someone else's story: "Roseanne",
"Can't Hurry Love", "Veronica's Closet"
*
Writing women's stories with a limited budget: "Love and Marriage",
"Gilmore Girls", "The Return of Jezebel James"
*
Writing when sky is the limit: "Gilmore Girls: A Year in the Life",
"The Marvelous Mrs. Maisel"
*
The role of music in the writing and directing of ASP
*
Mise en scene and charachter development in ASP
*
The role of audiences in elevating the work of ASP to cult status
*
Representation of women’s careers and life balance
*
Representation of sorority
*
Representation of (single) motherhood
*
Representation of (rural) community life
*
Treatment of gender and/or race in Amy Sherman Palladino’s work
*
Treatment of sexuality in Amy Sherman Palladino’s work
*
Recurring themes in Amy Sherman Palladino’s shows
*
Viewer response / critics’ response
*
Deep dives into individual series (pilots and/or individual episodes)
*
The Marvelous Mrs. Maisel (2017 – 2023)
*
Gilmore Girls: A Year in the Life (2016)
*
Bunheads (2012-2013)
*
The Wyoming Story (2010)
*
The Return of Jezebel James (2008)
*
The Gilmore Girls (200-2007)
*
Veronica’s Closet (1997-1998)
*
Love and Marriage (1996)
Please, send a long-abstract (250 words, plus references) along with a
150-word biographical statement to (p.prieto-blanco /at/ lancaster.ac.uk)
<mailto:(p.prieto-blanco /at/ lancaster.ac.uk)>and (cristinaperezordonez /at/ uma.es)
<mailto:(cristinaperezordonez /at/ uma.es)>by 6thof December 2024. Please title
the subject line of your email: Abstract – The Works of Amy Sherman
Palladino. Direct any questions or inquiries to this email address as
well. We welcome submissions from scholars at all stages of their
careers, as well as practicing and aspiring screen and television
writing professionals. Feel free to contact us with any questions about
the book, and please share this announcement with colleagues whose work
aligns with the focus of this volume.
We aim to inform potential authors of the outcome of their proposal in
February 2025.
Abstracts (150 w.) due December 6th2024.
For questions about the SCREEN STORYTELLERS book series, contact Anna
Weinstein at (aweinst6 /at/ kennesaw.edu) <mailto:(aweinst6 /at/ kennesaw.edu)>. For
more information, visit
https://www.bloomsbury.com/uk/discover/superpages/academic/screen-storytellers-series/
<https://www.bloomsbury.com/uk/discover/superpages/academic/screen-storytellers-series/>or
see the link to the first book in the series, The Works of Shonda
Rhimes:
https://www.bloomsbury.com/us/works-of-shonda-rhimes-9781501399701/
<https://www.bloomsbury.com/us/works-of-shonda-rhimes-9781501399701/>.
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