[ecrea] Cinema Comparat/ive Cinema: New Issue "Eztetyka" and CFP on "Research of the Poetics, the Aesthetics and the Techniques of Vision"

A new issue and a new CFP of the journal CINEMA COMPARAT/IVE CINEMA are 
online. CINEMA COMPARAT/IVE CINEMA is published in English, Spanish in 
Catalan by the Universitat Pompeu Fabra (Barcelona).

www.ocec.eu/cinemacomparativecinema

ISSUE 9: EZTETYKA

EDITORIAL

Eztetyka / by Albert Elduque

DOCUMENTS

Revolution / by Jorge Sanjinés

Tricontinental / by Glauber Rocha

Godard by Solanas. Solanas by Godard / by Jean-Luc Godard and Fernando 
Solanas

FILMS UNDER DISCUSSION. INTERVIEWS

A combative cinema with the people. Interview with Bolivian filmmaker 
Jorge Sanjinés / by Cristina Alvares Beskow

Conversation with Eryk Rocha: The legacy of the eternal / by Carolina 
Sourdis (in collaboration with Andrés Pedraza)

The necessary amateur. Cinema, education and politics. Interview with 
Cezar Migliorin / by Albert Elduque

ARTICLES

Reading Latin American Third Cinema manifestos today / by Moira Fradinger

 From imperfect to popular cinema / by Maria Alzuguir Gutierrez

The return of the newsreel (2011-2016) in contemporary cinematic 
representations of the political event / Raquel Schefer

ImagiNation / by José Carlos Avellar

REVIEWS

TEN BRINK, Joram and OPPENHEIMER, Joshua (eds.) Killer Images. 
Documentary Film, Memory and the Performance of Violence / by Bruno 
Hachero Hernández

MONTIEL, Alejandro; MORAL, Javier and CANET, Fernando (coord.) Javier 
Maqua: más que un cineasta. Volumnes 1 and 2 / by Alan Salvadó Romero

OPEN CALL FOR PROPOSALS:

RESEARCH ON THE POETICS, THE AESTHETICS AND THE TECHNIQUES OF VISION. 
FOR A HISTORY OF CINEMA BASED ON MAREY

Far from being clearly distinguished working spheres, both scientific 
and cinematic research explore and pose questions to concepts such as 
speed, time, memory, and perception. Not by chance many filmmakers have 
been inventors as well, and have created their own laboratories to carry 
out essays on images and sounds. For this reason, in this issue we want 
to approach the meeting points for poetic and technical research, and 
the ways camera and editing can be used either to know and reveal other 
visible worlds, or to explore the film material itself. These works show 
other possible paths for the History of Cinema, starting with Marey, 
among others, and his demonstration that cinema is not movement.

Send brief 500-word proposals to (comparativecinema /at/ upf.edu) along with a 
list of five related bibliographical sources and a short 100-word bio. 
Deadline: June 9^th , 2017.

---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please
use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at
http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ vub.ac.be)
URL: http://nicocarpentier.net
---------------